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Author Archives: Rory Masterson

Peter Homann

Since October 25th, when the NBA season began, a few things have changed. Some are minute; perhaps you switched from white wine to red, took up yoga or bought a new pair of dress shoes that you’ll save for just the proper occasion. Others, less so, but you can read about that in the oblique, unchecked vacuum that convinced you the world was one way when, in fact, it’s the other, at least to a large enough plurality for that to matter.

Much of what we presumed to be true is shaken, even stirred, while the rest is magnified to such an extent as to be distorted beyond reasonable comprehension. What we face now, in basketball as in life, is adjustment to the new normal.

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Let’s say, for instance, you were at the forefront of popular culture in the free world, soon to be deposed and cast to a life of relative reality. If you were to host a party celebrating, commemorating and memorializing the occasion in the United States of America, who would you invite? With a good head on your shoulders, and among your own personal favorites, you would attempt to speak to the populace, who have chosen against you in the years ahead, allocating goodwill while bracing for the impact of an unforeseen, unpredictable regime.

On Tuesday, President Barack Obama bestowed what will presumably be the final twenty Presidential Medals of Freedom of his record-setting Presidency, in which he dispensed more than any other in history. The man knows how best to leave a party, it seems. In returning to that question, who would play your societal funeral?

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Chicago History Museum

If sports are meant to be a reprieve from reality, an excuse not to talk about the infinite ills and endless hatred which plague society, then they have rarely been more important than in 2016. This calendar year has contained some of the worst displays of what mankind has ever had to offer, with more undoubtedly in store as we roll into 2017. Humanity has collectively pulled at threads, undoing the sweater before lighting it on fire. And yet – Leicester City staged the most improbable run at a championship in the history of the world’s biggest sport[1]. Villanova hit a last-second buzzer-beater in the national championship game. The Cleveland Cavaliers, well – you know.

A tricky roller along the third base line, fielded perfectly, followed by a dart to first base, all while Kris Bryant was sporting a grin as wide as the Chicago River. With that, a bitter impossibility became an undeniable reality. After all of that – “that,” of course, encompassing 108 years of the most intense and self-hating misery in North American professional sports – the Chicago Cubs are the World Series champions.

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Butch Cassidy and the Sundance Kid/20th Century Fox

“Boy, I got vision, and the rest of the world wears bifocals.” – Butch Cassidy

When the final whistle sounded on Game 7 of the Western Conference Finals in May, a certain feeling of deflation accompanied the confetti which fell from the rafters of Oracle Arena in Oakland. After having been up three games to one in the series, the Oklahoma City Thunder squandered their lead to the defending champion Golden State Warriors, the 96-88 final score of Game 7 being the most painful exclamation mark of any during the Durant-Westbrook Thunder era. Even with Kevin Durant lined up to be a free agent in the offseason, it still stood to reason that he had more to lose by leaving Oklahoma City than by giving it at least one more go with his explosive comrade in arms.

Already, the rest is history, albeit of the continually developing nature that calls for perpetual scrolling lines of text alerting the viewer to the absolute latest hard truths, highlighted in red and bolded beyond reason. Durant left to sign with the Warriors, the very team that had beaten his own before going on to put together an even more spectacular collapse in the NBA Finals. Westbrook re-signed with the Thunder, finally and definitively taking the wheel after years as Durant’s foil. Tonight, back in Oracle Arena, the erstwhile brothers meet as opponents for the first time.

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Getty Images

What is it that riles up the Gallagher brothers? The list of answers to that question are as extensive as the number of fans that fill the grounds at Knebworth in 1996, the framing device for the Oasis documentary Supersonic, which enjoyed a one-night U.S. debut Wednesday evening in cities across the country[1].

As several reviews noted ahead of time, Supersonic largely avoids anything from Knebworth onward, instead focusing its efforts on the Gallaghers’ childhood in a Manchester suburb, their shared musical ambitions and the eventual rise of Oasis while merely hinting at what falls outside of the film’s timeline. Despite this somewhat revisionist view – who among us in 2016 isn’t out to use filters to enhance away imperfections, real or perceived – the film is a compelling look at the most important, and self-important, British band of the mid-1990s.

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CLEVELAND, OH - JUNE 22:  Kyrie Irving #2, LeBron James #23 and J.R. Smith #5 of the Cleveland Cavaliers look on during the Cleveland Cavaliers 2016 NBA Championship victory parade and rally on June 22, 2016 in Cleveland, Ohio.  (Photo by Mike Lawrie/Getty Images) ORG XMIT: 648981599 ORIG FILE ID: 542236368

Wake up, wake up wake up wake upppppp! Break out your favorite Starter jacket from the ’90s and saddle up, because the NBA is back tonight. Three games usher us out of the humdrum summer and firmly into fall, where all of our favorite professional basketball players[1] await to push the bounds of reality beyond any of our preconceived notions.

The reigning champion Cleveland Cavaliers[2] welcome the not-reigning-anything New York Knicks to Cleveland, suddenly the epicenter of North American professional sports, where Carmelo Anthony will get to watch the likes of J.R. Smith and Iman Shumpert receive their championship rings. Afterward, the re-tooled and reloaded Golden State Warriors host a Tim Duncan-less San Antonio Spurs while the Utah Jazz visit Portland. With one eye on the proverbial jump ball and another drifting ever so slowly toward the Larry O’Brien Trophy, we take a moment – just one, lest we think too hard about the Bulls – for a thought on each team. As always, best of luck to everyone, especially anyone in a contract year. May you swindle a billionaire out of a few million.

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“Custer’s Last Stand,” Edgar Samuel Paxson

Finally – finally – it is that time of year again. As the leaves turn, and the breeze becomes a chill, the NBA is at our doorstep, knocking incessantly, asking if we have heard the good news and finally accepted Adam Silver into our lives. As is tradition around this time, profile after ostensibly revealing profile has exploded through the Internet’s dams and into our timelines – of teams, of conferences and divisions and, of course, of players. Each one delivers us infinitesimally closer to the players we hold in high regard, whom we can never really know.

Fitting, then, that in the week before the start of the season, two captivating and personal cover stories on Russell Westbrook have preceded the NBA season, one from GQ’s Daniel Riley, and another from Sports Illustrated’s masterful Lee Jenkins. Each is uniquely great in its own right, and both brim with an undercurrent of the rage everyone anticipates and hopes to see manifested in Westbrook’s game on a potentially scorched earth-like MVP campaign. This is the Year of Westbrook.

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Stan Wawrinka poses with the trophy after his match against Novak Djokovic.

USA Today

The English poet Francis Quarles, noted paraphrase royalty, once wrote, “The way to bliss lies not on beds of down, And he that has no cross deserves no crown.” As was more or less his M.O., and the standard run of play in seventeenth century literature, he was drawing largely from The Bible, though you could be forgiven if in a vacuum you thought he may have been discussing the rise of Stan Wawrinka, 2016 U.S. Open men’s champion.

Four sets: that’s all Stan Wawrinka needed to upend Novak Djokovic in the men’s final of the U.S. Open, which he captured in a magnificent 6-7 (1-7), 6-4, 7-5, 6-3 win that elicited some of the best shot-making either player has ever flashed. Once an underperforming prodigy, Wawrinka is now, against most well-meaning odds, a three-time major champion as well as, for the moment, the king of New York.

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Courtesy of yours truly

Putting a torch to a flame: that’s one way of dealing with the vexation of presumed certainty turning to capricious doubt. Nothing is certain, and doubt can be a useful progenitor for inspiration. Even Jesus looked around in anger.

Down a break in the fourth set to Ilya Marchenko, Stan Wawrinka looked inward, his steely resolve having forsaken him, and, as has happened on many occasions before, dispelled the rage within him via the destruction of a racquet, an inanimate Judas for lack of anything else.

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Getty Images/Quinn Rooney

If, at the beginning of 2014, I would have asked you to guess what Swiss male tennis player was going to win two majors over the following two years, you almost certainly would have guessed Roger Federer[1]. Steady Fed did not win a major the previous year, but a nagging back injury limited him, and in periods of health you could still see his heady mastery of the game on full display. A recovery was inevitable, and anyway, it wasn’t looking like the next generation of tennis talent was prepared to challenge the Big Four. It mostly still isn’t.

Almost three complete seasons later, however, another native of the neutral country has emerged as a worthy adversary to the quartet that has dominated the men’s game for the last decade. The son of farmers, Stan Wawrinka is a two-time Grand Slam champion and, at 31, may be playing the best tennis of his life.

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