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America

“I don’t even know if I can say this, but: that call sucked, SVP.”

Andraya Carter spoke for all of us Friday night in breaking down the decisive moving screen foul that ended UConn’s NCAA Tournament run. After an incredible game in which both of Caitlin Clark and Paige Bueckers were pushed to their respective limits, the referees had the last say in what was what.

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Despite the fact that my book intake these days gravitates toward a rather mundane mix of Guy Who Explores Framing Options For Album Covers lit that overlooks pretty much everything else, I know a thriller when I read one: A handful of players emerge, a signalpoint event occurs, fingers point in all directions, some false protagonists turn heel, a surprise hero emerges and, ultimately, the denouement.

As another sport celebrates its weather-plagued opening day, the NBA’s regular season begins its mad dash toward the next step, itself a surprising behemoth with a dose of play-in confusion to those just tuning in come April, every team is getting a little tighter, every rotation moving a bit closer to the grease board than the free-for-all of 2K.

If the time put into their leading duo is starting to get to the Boston Celtics[1], it is increasingly starting to creep on just about everybody involved with the current iteration of the Los Angeles Clippers. A good thing going now means a clock is ticking. The train arrives at noon.

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In a manner of speaking, anyway. We like hearing about troubling things, acknowledging them in our own ways (“Jackass” or “Ah, damn,” usually) and moving on as soon as the tribute spot on the television allows us. 

If you had the remote in your hands, you would want to bypass that, but – oh, dear! Sorry – the sponsors paid for guaranteed placement during the primetime slot, which means you have to sit through it. What was that person’s name again, and what happened to them?

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It tracks that the last song Jimmy Buffett ever played before a live audience was the one on which he built his empire of relaxation: “Margaritaville,” a final salvo over this past July 4th weekend as a surprise guest of Mac McAnally, long a member of Buffett’s Coral Reefer band. Not unlike Prince exiting the stage following “Purple Rain,” or Tom Petty’s last performance ending with “American Girl,” there is something to going out on exactly the tune that laid the path for the rest.

Buffett, who passed away September 1st at the age of 76, defined the idea of getting away, however briefly. When a disgruntled coworker hits the bottle in the early afternoon, justifying it with the requisite “It’s five o’clock somewhere,” that’s a credit to the lifestyle Buffett envisioned for himself and sold at massive scale.

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“You’re still there, huh? We’re gonna do one more song, and that’s it.” His golden, overdriven guitar tone[1] was perfect. He’d already bettered Dylan in some respects; why not in Marvin?

There’s a thing about certain Canadians (two’s a company; three’s a crowd; more: that’s a trend), A few tend to write better songs about the United States than Americans can. Familiarity breeds contempt, or something like it, but from pastoral documentation, à la Neil Young[2] and Joni Mitchell, to the psychodramaticism of The Weeknd and poptimism of Carly Rae Jepsen, some friends from The North hold the mirror up to Americans better than we can do unto ourselves. 

You wanted a hit? Baby, maybe, he just did hits: “The Weight,” “Up On Cripple Creek,” and “The Night They Drove Old Dixie Down” fit the bill. Having backed The Hawk, Ronnie Hawkins, and then Bob Dylan, Jaime Royal Robertson, who died on Wednesday at 80, ran the gamut of roles in early rock bands. Later, he’d end up having to try to save his bandmates, and then himself. He knew how to get the best out of those around him, when the bells were ringing.

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Happy Memorial Day! Great to see you! So, now that you’re here, it’s time to attack: Do you ever think about instigators, or why a lot of people die unnecessarily? Did you see the BARRY finale? What do you fear the most, and why is it the mirror? Anyway, haha, *high five*, let’s honor some of what we thought were the dead, but they’re still living.

Jimmy Butler has fulfilled his mission and obligation as The Man for the Miami Heat. Via the way the game is played today, et cetera, he found himself at the foul line with three seconds to go, the exact three seconds and three shots he needed to close out the Boston Celtics and end any speculation that the best-positioned team in NBA history to recover from down 3-0 would do so. He nailed all three, Michelobs surely on the brain.

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Prior to the penultimate round of the NBA playoffs kicking off, a matter of only negligibly less importance took place in Chicago’s McCormick Place Convention Center. Mere steps from the closest stop off the CTA’s green line, the future of the NBA began to reveal itself. Several sweaty executives, a handful of younger NBA players and the odd nostalgia act rolled in as representatives of the fourteen teams eligible for lottery picks in this offseason’s draft.

The prize at hand? What we’ve known for two years, at least, if not longer: French prospect Victor Wembenyama, a 7’3” stir-fry of Kevin Durant, Kristaps Porzingis and Anthony Davis, if the scouting reports and highlights are to be trusted. Behind him, Scoot Henderson, along with several other players of varying overt Christian influence. But Wemby was the target, even for the teams with barely 1% chance of getting him. Twenty years after LeBron James’ draft lottery, a prospect of perhaps even greater repute has entered the chat.

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This past Christmas, I was in Oklahoma with my oldest, not older, brother, taking in several of the NBA games that were on TV. They were there at my request, but several of our fellow patrons got into it; suffice to say, we identified a Kobe Guy. Two days later we would be at Paycom watching a Thunder-Spurs game that you’ve already forgotten; I doubt we ever will.

For what ended up being my family’s ad hoc Christmas celebration three months later, we descended upon South Carolina, my parents once again hosting a St. Patrick’s Day party featuring a lot of people I don’t know that well. One of them, a New Jersey transplant and lapsed Knicks fan, unfortunately found herself in a conversation with me, all but yelling at her about Jalen Brunson. 

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A tied game becomes a different thing when you know the other team can hit their shots, and then they start hitting them. Against a Finals-proven (and Kevin Durant-aided) team like the Phoenix Suns, it is only so much more demoralizing to watch a ball clink-clank-clunk through the rim than it is to watch a swish, but the shorthanded Los Angeles Clippers experienced both on Tuesday evening.

In one of the more entertaining series of a wildly entertaining first round, the Clippers, already without Paul George, took it to the Suns in the two games featuring Kawhi Leonard, in which he scored over 34 points a game. It began to fall apart when Leonard’s knee reminded him of some pain. That pain, which we all felt with him, meant that the Clippers were in the hands of one man, at least to start.

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