The last thing I did before was visit a library. The Friday ahead of a citywide stay-at-home order, I cut out of the office early and ran over to Harold Washington to pick up Matthew McIntosh’s theMystery.doc, a book you would’ve heard me relentlessly shoehorn into conversations at parties for weeks after had there been any to attend. I did this counting on the idea that 1,600+ pages would get me through a good chunk of quarantine while the libraries were closed, but it turns out there’s a lot of negative space in that thing; I read it in six days. To balance it out, I spent April reading — and I promise this is the only time you’ll see me talk about this unprompted — Infinite Jest. It’s fine. Also, the only other people I know who’ve read or own this book are women. Just saying.
But that Tuesday, the last night out I had before was at a brewery. Beer and books, books and beer. Bikes. This is, fundamentally, all I have been for seven months. Maybe longer, depending on who you ask.
It’s no spoiler to tell you a dark sky reserve is exactly what it sounds like. As more and more of us get born and more and more of us die slower, more and more of us generate heat, emit light, pursue both. It’s bad for nature (which you knew and didn’t care about, really), but it’s also bad for us (which maybe you didn’t, fully; just think of the heartbreaking anecdote about LA residents who couldn’t even recognize their own Milky Way). That’s why the International Dark-Sky Association has worked since 1988 to preserve places on the map where light pollution can be minimized and space can be seen with the minimal effort of tucking away a phone, turning off your car, putting out the fire.
Only 48 officially designated International Dark Sky Parks exist right now. One of them is about four hours from where I live, a straight shot north past Milwaukee, past Green Bay, past acres of rolling Wisconsin farmland and out to the tip of Door Co. at Newport State Park, Wisconsin’s only wilderness-designated state park. There’s nothing up there. That’s the point.
Ever meet someone who’s really into a specific kind of furniture? I don’t mean the workaday influencer wannabe with a midcentury modern fetish or your friend who parrots pages from the latest Dwell, I’m talking lifers who while away hours trading Eames tables on eBay or people who can point out the choicest character lines of a Sauder desk drawer from across a crowded room. You know they’re out there somewhere, of course, but until you meet one, it might be difficult to grasp just how far down this (ultimately very practical) rabbit hole it’s possible to go.
I thought I knew tables and chairs pretty well. I’ve sat in plenty of different office chairs and even voted on one as part of a company initiative (my pick did not prevail). I’ve soaked up nuances simply by living with them. But I was wrong. I do not know tables and chairs. Scott does.
At the bottom is us. We tune in, log on, turn up, shout out. More often than not, we log on and turn up and shout out at each other; it’s what we do now, how we come to make our voices known. Sometimes it’s fun, some (very rare) times it’s educational, but mostly it’s just a pressure release valve we unwind to make sense of our senses, to craft the inevitable human flaw of narrative for ourselves, to try and understand why we feel the way we do. It’s hard work, living. But you, me, we all go on doing it anyway, tuning in because sports are a relief from the rest of our embattered lives and because logging on, turning up, shouting out at what we can’t control is, in its own way, a liberation we’re only inching toward. For now.
The Basílica de la Sagrada Família
The first architect of the Sagrada Família was a man of diocesan ilk and inspiration, exactly the kind of person you would hope and expect to build something prototypically beautiful and adhesive to the traditions and standards that the Catholic Church, particularly in Spain, would presumably place upon a person. He took the same approach to his projects, calculating and reasonably efficient, that you take to ordering monthly subscription boxes, or homing in on preferred brands of toothpaste. “This works, it addresses a problem, so I like it, and let’s stick with it for now, until and unless a problem arises.”
Francisco de Paula del Villar y Lozano was no slouch, having aided in the designs, re-designs and restorations of many important buildings in and around his native Catalunya. He took on the project under the advisement of the Associació de Devots de Sant Josep, and when it got to be too much, his adviser Joan Martorell recommended Antoni Gaudí, an exceptionally devout Roman Catholic even by Catholic standards. The latter then spent the final years of his life figuring out what to do with the thing before, well, getting hit by a tram and passing away in 1926.
Wouldn’t it be something if Michael Jordan said what he meant? Not “nice,” almost certainly, but something more than the expected, eyeroll-inducing megalomania his brand and public face have come to represent over the past forty years. He did it all because he wanted it the most; his competitiveness is lost on nearly everyone surrounding him, both teammates and opposition; the extent of his sense of humor exclusively including the very idea that he is Michael Jordan, which makes it impossible for anyone else in history to be Michael Jordan. That’s funny, to him.
If The Last Dance was supposed to prove anything, it was that Jordan’s legacy is as close to unimpeachable as that of any sports figure so far, regardless of his Machiavellian worldview. What it managed to do instead was maybe, possibly make him look worse than anyone else prominently featured. We know he doesn’t care, nor, I guess, should he.
Here is everything I know about frogs. Scientists have hard proof they date to the Triassic. They account for almost 90% of all known amphibian species. They’re basically everywhere but Siberia and the Sahara. Toads are the rectangle to a frog’s square. They are symbols of good fortune in Panama. Epibatidine is a chlorinated alkaloid 200 times more powerful than morphine secreted – as in, it comes right out of the pores, just like that, all you have to do is be around to lap it up – from the body of an Anthony’s poison arrow frog. Their legs are kind of salty to taste. A silhouette of Michigan J. Frog was The WB’s last image before it converted to The CW in 2005. They feature prominently in a recurring dream of mine.
First of all: Hello. How are you doing? Are you safe and sound? Do you have what you need, or know how to get what you need in responsible fashion? Have you acclimated to the sounds of sirens happening all around you, or at least to the dull murmur of people performatively reacting to those and other things that will never affect them personally on television? Cool and good < A phrase you may or may not use when looking at anything happening in the United States of America in response to a literal plague befalling those of us lucky enough to inhabit the land of hope and dreams.
Keeping in mind how much all of that is relentlessly destroying us, particularly how much money people accumulate who don’t particularly seem to have any utility for it beyond “Hey I have more money than you do lol,” and also ahead of a particularly enticing documentary premier on behalf of Mickey and friends Sunday night – The Last Dance, an unprecedentedly in-depth look into the 1997-’98 Chicago Bulls season – let’s talk about Michael Jordan’s house in Chicago.
Taking a concept to its ideological extreme can be a perilous exercise: first, one must fully concoct an actionable conviction, one that finds pros outweighing cons; then, after experimenting with the idea, one must attempt to put it into practice and – the hardest part – convince others that this pursuit is, in fact, worth investigating, in the hopes that an audience sees its potential, wildly glorious benefits and agrees that it is, at the very least, worth a shot.
Ideas like this tend to provoke the “hard sell” label, and they allow detractors to seize upon various nooks and crannies in order to mock the ideation and its true believers. To buy all the way in, one must steel themselves for the possibility of a very public humiliation, often in the mouths of bad actors and those who could never regress to the norm for lack of having ever deviated from it. Somehow especially content with the median, these people envy middle managers and the people who ride the coattails of people who actually possess half-decent beliefs, for they themselves believe only in what they see, not in what may be.
When they traded starting center Clint Capela to the Atlanta Hawks in a multi-team deal that netted them the coveted Robert Covington at this year’s trade deadline, the Houston Rockets bought all the way into an idea that head coach Mike D’Antoni pioneered over a decade ago yet was unable to fully realize before various factors ended his tenure with the Phoenix Suns. Now, with none other than Russell Westbrook as their nominal center on offense, Houston is making the bet that running teams into the ground can overcome any, uh, shortcomings they may otherwise have.