It’s pronounced FAY-der-er, by the way, and he wasn’t always like this. Early on, Roger Federer stylized himself as the tortured genius, that well-worn mentality many kids inhabit once they hit high school and discover Dylan, or Cudi, or Sondheim, or Swift, or whomever they think can better express their ideals than themselves.
His mother, Lynette, was a secretary in the South African office where his father worked for a time after university. Neither possessed particular athletic skill, nor were they disproportionately different in any way which may foreshadow a dynamo talent such as that of their son.
Of course, pharma money gets you a club membership, but that still doesn’t make you the greatest man ever to effortlessly walk a tennis court. On the occasion of Roger Federer’s impending retirement from professional tennis, which he announced Thursday morning via Instagram and elsewhere, and because he has mostly avoided competitive tennis for the past few years, we must look back.
He wasn’t the inspiration for the logo – he couldn’t have been, not at that time, nor under those circumstances. That was inevitably going to be the territory of less outspoken, likely fairer-skinned players, the kind who bowed knee to the ownership class and played into media narratives about themselves at a time when the league needed characters.
Even after eleven championships as a player, including two as the first Black head coach of a team in the four major North American men’s sports, Bill Russell was never destined to be what the league wanted the logo to be. By the time of its introduction in 1969, Russ, who passed away Sunday at the age of 88, was already so much more.
Some of this is chatter; some of it is Mike Breen’s idiosyncratic delivery (courtesy of his alma mater, obviously). The Golden State Warriors enter Game 6 of the NBA Finals with a chance to win their fourth title in eight years largely because of the former number one overall pick, a tweener-ish guy left to falter but by the grace of God, Kevin Durant, and Bob Myers.
Over a week later, the question everyone was asking before the playoffs is now one that continues to lurk: what becomes of these Brooklyn Nets? Steve Nash’s team has lit itself aflame once again, but who threw the match? They, of the highly touted scoring tandem, once briefly of a threatening trifecta that no team could think about stopping, could shudder? They could seek fate?
A 116-112 Boston Celtics win on Monday night sent the Nets packing. While they were busy making love with their egos, Ime Udoka was leading his continually resurgent squad to a sweep over a team many once considered to be NBA Finals favorites. It’s worth asking of this iteration of the team: do they seek fate, or does fate become them?
Where did it all go wrong? Now you ask yourself: what restaurant, effects pedal, celebrity-ish person, institution, soda, social platform update, person that you and I somehow both know, beer edition, automation technique, ideology, golf tournament, city that you never knew, or relative am I talking about?
Some people may already know that time as most of us understand it is the result of the work of an Islamic scholar; the rest of you will blame aging on him, despite Aristotle. No matter, in any case: this is about the 2021-’22 Los Angeles Lakers, eliminated from postseason play Tuesday night against (fittingly) the Phoenix Suns, and the amount of pushing a rock can possibly do against a solid-state presence before retracting against every will in its lifeless form.
You’ve seen this before. Well, maybe not – you can’t be sure. But you’ve seen enough to know it’s good, and that it’s righteous by your eyes. Players like this come along – allegedly – all the time, and if you blink, you miss them. The why used to be nebulous, but it isn’t anymore: if you can run like that, and jump like that, well, you’re going to burn out rather than fade away.
Then again, though, watching a dude with rim-smashing force and game-changing power in the 2019 draft from South Carolina shouldn’t have been much of a novelty. Look yourself in the mirror: now you know that two of those existed at the same time, doing different but exactly the same things. You had nothing to do with this, and your teams aren’t pleased, but you remain mesmerized.
The days are getting longer. They look short but continue for ages. At once, a new day will be upon you and gone almost before it happened. They pile up, the days, and the blurring of colors at dusk can just as easily be the memories of events that slip between the cracks, regardless of importance.
When we think about the things that are familiar, we can have a sense of present-nostalgia: yes, I know that deli; of course, I’ve seen that player many times; indeed, I fell out without ever actually falling in with a group of people during that game. We think we know who we are, and we assert that to the world, only for the world to remind us of a different reality.
For a time almost destined to be locked inside of itself, quarantined or otherwise, the Philadelphia 76ers are a perfect emblem. The sense of what the Sixers are, or were, or will be(?) has shifted in the various allegedly-conscious organs of fans and onlookers nearly by the minute ever since Ben Simmons essentially ruled himself AWOL. Joel Embiid is currently enjoying an MVP-caliber campaign, this time as earnest as ever, but – thanks to old pal Daryl Morey – here comes James Harden, and the bevy of his flavor in seeming full force.