All artwork by Brian Kraker/Tuesdays With Horry
Having literally birthed the Cool during sessions toward the turn of the decade, Miles Davis subsequently descended into hell, fighting depression with a legendary heroin addiction. After a lengthy battle to kick the addiction, the trumpeter took his quintet to the Newport Jazz Festival in July 1955, putting on a comeback performance capitalized by a performance of “Round About Midnight.” By that October, Davis was at a crossroads in his already esteemed career and had to act quickly to form what would become his first great quintet, one featuring the landscape-altering saxophone wizardry of John Coltrane. Together, Davis and Coltrane, along with Red Garland, Philly Joe Jones, Paul Chambers and, later, Gil Evans, created some of the decade’s, and jazz’s, most enduring music, culminating in the era-defining modal record Kind of Blue.
After nearly breaking the core apart before it achieved anything, the Utah Jazz matched the Charlotte Hornets’ offer sheet for Gordon Hayward in the summer of 2014. Prior to this season, the team re-signed rim-protecting center Rudy Gobert through 2021. Along with George Hill, Derrick Favors and a resurrected Joe Johnson, as well as the contributions of heady, heavy vet Boris Diaw and Australian swingman Joe Ingles, the Jazz have charged their way into a second round date with presumptive title favorites the Golden State Warriors, slaying a maligned dragon on the way to becoming fan-favorite underdogs.
Long held to be a tragically uncool locale – the Warriors are sad not to be able to take advantage of the Los Angeles nightlife, for example – Salt Lake City suddenly has the hippest game in the NBA. With critically acclaimed but crucially underrated art from Brian Kraker inspired by the classic records from labels such as Impulse!, Atlantic and Blue Note, let us walk back on Utah’s journey to the brink of excellence, two basslines conflicting and confiding in one another.
Triple Self-Portrait, Norman Rockwell (1960)
Today marks the beginning of the NBA playoffs, a most glorious time of the year when the basketball is noticeably better. In a season full of downright certainty underpinned by complete uncertainty, these playoffs are going to shock and surprise us in ways we can’t even imagine, because they almost universally do. Can’t hold anything back now, and all that.
For just a brief moment, however, it seems fitting to gaze back with awe on one of the more improbable regular seasons we are ever likely to see, one full of jaw-dropping individual performances. Specifically, and with the utmost respect, it is my duty to inform you that, unless you are one of the members of the media yet to reveal their MVP vote via a longform column explaining why you didn’t pick any of the other candidates instead, nobody cares about your choice for this year’s NBA MVP.
With Andre Roberson closing quickly, Brook Lopez launches a three, early in the shot clock but with enough space to give it a chance. The ball clanks off the front of the rim, kisses the backboard and falls into the left hand of professional basketball’s most perplexing genius, to rapturous applause from what should be a hostile crowd. It is the latter’s tenth rebound of the night, and after adding two more, combined with his 25 points and 19 assists, the intensely focused scientist sits, his team all but guaranteed a victory they would soon officially claim, his 33rd triple-double of the season secure.
Thunder doesn’t only happen when it’s raining. It was in the middle of March, in the midst of an overhyped blizzard, that the Brodie came to Brooklyn.
Suffering from a deafness which plagued him over the final three decades of his life, Ludwig van Beethoven explored new and innovative areas of musical theory which sometimes left him in controversial straits with critics. Having already composed countless quartets and sonatas as well as several symphonies, Beethoven continued to push the bounds of sound through his late period, often incorporating the influences of Bach, Handel and his immediate predecessor as foremost composer in the world, Wolfgang Amadeus Mozart. Until his death in 1827, Beethoven strove to perfect the sounds and styles of the time which produced him.
On Sunday, two NBA title contenders, each by an MVP candidate, met in Houston for the second and final time in the regular season. The team that prevailed, the Houston Rockets, did so in much the same fashion as they have done all year: by adhering to their particular brand of the NBA’s prevailing style, launching as many threes as possible and, when that wasn’t available, getting to the rim for high percentage shots and foul opportunities. At the eye of the Rockets’ storm is James Harden, high-volume wing-turned-obscenely efficient point guard, a scoring machine in either case.
What makes Zlatan happy?
Again, nomadic striker Zlatan Ibrahimovic announced his uncertainty for the future. Having only arrived last summer, Zlatan may be on the move again. Leading Manchester United in goals, angling his unwieldy frame into unlikely scoring positions, outplaying players two-thirds his age: all of this bores Zlatan. Are we all Zlatan?
Zlatan pleases us, but what it is that pleases Zlatan?
Have you ever won 100 of anything, consecutively? Have you ever won 100 of anything at all? How many things have you ever even done 100 times that don’t involve opening your eyelids for the first time during this rotation of the earth?
If you’ll allow a phone-a-friend: my guess to all of the above is somewhere in the neighborhood between “nothing” and “cooked Ramen.” Nowhere in your lexicon of activities performed to the century can you list “won a basketball game,” because the only people alive who have done that are involved with the women’s basketball team at the University of Connecticut.
“Morte di Cesare,” Vincenzo Camucci
As common as love, perhaps more so, betrayal is a delicate theme which, if the Book of Genesis is to be trusted, has permeated history since the inception of existence. We know how this one goes: a serpent tempts Eve into an apple from the tree of the knowledge of good and evil, which is strike one; soon thereafter, their sons elicit contrasting reviews for ostensibly the same work, causing the first instance of jealousy and, subsequently, the first instance of murder in the form of fratricide, which is strike two; many centuries later, Julius Caesar crossed the Rubicon into Roman Italy and earned himself a perpetual dictatorship, until a group of his friends decided that perhaps that wasn’t such a good idea. Several centuries after that, we learned to sum up betrayal in three words, none of them English: “Et tu, Brute?”
On Saturday night, Kevin Durant returned to Oklahoma City, the arena and area which raised him from a lanky post-Supersonic to an NBA MVP, to face the Thunder at Chesapeake Energy Arena for the first time. Despite two massive victories over the Thunder already under their belts, there was no reason to expect this would be easy, particularly with many fans and, as it turned out, teammates still twisting the knives out of their backs.