Right now, the world is James Harden’s oyster. He is the toast of the town, the cream of the crop and other phrases Frank Sinatra deleted from the original lyrics to “New York, New York,” complete with the requisite GQ profile. He is the presumptive NBA MVP and, depending on whom you choose to trust, should already have two in his cabinet. He’ll be the second player ever, after Bill Walton, to win both the Sixth Man of the Year and MVP awards. This is his time.
Equally important is the fact that, with these Houston Rockets, Harden has the best supporting cast since Oklahoma City traded him to Houston prior to the start of the 2012 season. Following his historically-efficient 2016-’17 season running the point, the first under prescient head coach Mike D’Antoni, and flaming out in spectacular fashion against the Spurs in the second round of last year’s playoffs, the Rockets went out and picked up the best point guard of his generation to share some of the load in the back court and promptly rolled off a 65-win season, the best in the history of the franchise, capturing the 1-seed and beating the epoch-defining Golden State Warriors two out of three times.
Chris Paul has enabled Harden in ways that Patrick Beverley, Jeremy Lin and even the vaunted Durant-Westbrook combo couldn’t in years past. Harden is the first player ever to lead the league in points the season after he led in assists; he knows how to adjust. What lies before him is a remarkable challenge, one which could solidify his legacy as a figure of the zeitgeist. He figures to welcome this moment with open arms.
It’s not like Anthony Davis expected this, either. Coming into the season, expectations for the New Orleans Pelicans were sky-high, having run off an 11-14 record to close last season following the trade for DeMarcus Cousins that nevertheless inspired hope in a fan base accustomed to insipid displays by 11 of a dressed 12 on any given night.
In this era of normalizing the relatively small – that is, getting used to seeing otherwise jarringly large humans between 6’7” and 6’10” thrown into lineups and deemed “small for their position, traditionally, but with the ability to space the floor!,” the Twin Towers look had been out of fashion with few exceptions. Then, literally during last season’s All-Star Weekend, the Pelicans traded for the Swiss Army knife that is Boogie to pair alongside erstwhile Best in the World-in-waiting Anthony Davis.
The tandem worked kinks out toward the end of last season, the team re-signed Jrue Holiday and brought Rajon Rondo in for maximum weirdness, and everybody prepared for the Pelicans to be THE League Pass fodder to watch. Until…they meshed, better than expected, and went 27-21 through their first 48 games.
The switch exists. I’m telling you right now because, for the second time in my life, I was lucky enough to see the man at the helm in person, and at 33 years young, he was as commanding of attention as he was in command of the game, and when he needed to, LeBron James turned the volume all the way up and told your parents to mind their Ps and Qs. Last Sunday, in Brooklyn, I saw the switch in action.
It isn’t that he isn’t great all the time – he is, and he has been for the overwhelming majority of his breathlessly Hall of Fame career – but to watch him have to be, with his still-gelling team nervously jetting and firing around him in an effort to show that yes, we’re good enough, please stay, adds another layer to an almost unquantifiable NBA experience.
“I am Toronto.”
With these three words, and a reported $139 million, Compton native and All-Star shooting guard DeMar DeRozan took his seat at the table of the NBA’s leader in latitude, the modern king of the midrange having found comfort in an uneasy Eastern Conference all the more unsettled by the various fluctuations that the summer of 2016 carried with it. DeRozan’s empathy for the frozen North made for great newspaper fodder, but it did not alleviate the worry that fans of his team, the Toronto Raptors, had at the time concerning their franchise’s future.
As has become the standard, that relief would arrive the following summer, when All-Star point guard Kyle Lowry inked his own $100 million deal to stay in Canada. Along with DeRozan, Lowry represents Toronto’s best chance at viability in an Eastern Conference long dominated by LeBron James’ regular season malaise giving way to humdrum playoff dominance. By seizing control of the #1 seed in the East, along with several high-profile wins, including those against Houston, Cleveland and a back-to-back drubbing of dark horse Process favorites the Philadelphia 76ers, Toronto has edged its way into something like favorability, edged on by a modernistic offense and an ability to rise to the occasion.
The list of shared experiences by Americans in the year of our LORD 2018 reads more or less as follows: death; taxes; unseasonable weather no matter the season; thoughts on race, whether intentional or not; thoughts on gender equality, whether intentional or not; thoughts on the New York Times’ editorial strategy, definitely intentional; all prior thoughts brought on by pieces courtesy of social media and/or texts linking to it; and a vague understanding of nuclear proliferation.
Narrow the scope, and that list becomes broader, but then you’re dealing in sample sizes of varying confidence. The South is hot, but man, these taxes, amirite?; the Northeast is cold, and keep your business out of my business; the West is a beautiful landscape and has bad traffic, tech geniuses and an insatiable hunger to continue being a final frontier long since conquered; Texas is the South, but it isn’t, you know what I’m saying?
On the Midwest: I’m not from there, nor have I ever lived there, though my oldest, not older, brother has for over a decade, and Blog Surf James Vasiliou is well-equipped to speak on generally Midwestern things himself. Something exciting, however, is unquestionably brewing in two cities, Minneapolis and Indianapolis, involving characters both familiar to both and foreign, in nationality and suitability for the stereotypically reserved region.
Here is something that I do not imagine will come as any great shock to you, dearest reader: I am not at all knowledgeable in an overwhelming majority of the facets of figure skating. I know the equipment – a sheet of ice, a pair of skates and a warm-blooded person of distinct nationality in a skintight representation of an eighteenth century romance novel – I know a handful of names – Kristi Yamaguchi, Michelle Kwan, Johnny Weir, Tara Lipinski, Nancy Kerrigan, Nancy Kerrigan’s problematic attacker who now has her own movie, for some reason – and far fewer but non-zero number of jump names, like the triple axel and the Salchow, and that’s where it ends.
But on Thursday night, as happens every four years, I took in the sport in all its glory, as the men’s short program from Pyeongchang hit primetime. Expecting to see the crowning of two-time American champion and team bronze medalist Nathan Chen, or the pyrotechnic flair and on-camera joyous irreverence to which we’ve grown accustomed over the past two weeks from fellow American Adam Rippon, I was instead treated to the comeback performance of quadrennial and a Winnie the Pooh hailstorm.
Hello. What follows below the break is the climactic ending to the first Godfather film, but as an NBA basketball team.