It’s one thing to win a Grand Slam in the first place – to be physically gifted enough from the start, to train hard enough to be the best tennis player in your town, and then your region, and then your country, and eventually the world, at least for a moment. To do that once is a monumental feat, a testament to all the things we’re told we should aspire to cultivate.
On Sunday, Novak Djokovic won his nineteenth singles title and second French Open championship. Nevermind that he is now only one behind Roger Federer and Rafael Nadal for the men’s record for career Slams – he had to beat Nadal, the clay king and thirteen-time champion at Roland Garros to do it, and then overcome a two-set deficit, something he’d never done in a Slam final, to Stefanos Tsitsipas. All the while, he never looked in doubt.
Photo courtesy of moi
On a breezy August evening, one perfectly fit for briefly forgetting both the sweltering summer and its miserly, frozen, hibernating kin, I sojourned to the USTA Billie Jean King National Tennis Center in Flushing, Queens to take in the selected offerings from the first round of this year’s US Open. Specifically, three players – Rafael Nadal, Aryna Sabalenka and Nick Kyrgios – offered their assorted splendors to varying degrees, making for predictably excellent tennis. There are worse ways to turn the night into the morning.
On many more occasions than is worth counting throughout this Australian Open, announcers made mention of how hot it is, how hot it’s gotten, how hot it can be. All of us know this all the time, increasingly, even in the sullen cold of a North American East Coast early morning in January. When it’s cold, we pine for the heat; when it’s hot, oof, maybe the cold isn’t that bad, actually.
In leaving behind what I imagine is the world’s most-discussed small talk topic, we broach the actual tennis. Seven years ago, on this very court, Novak Djokovic and Rafael Nadal battled over five sets and nearly six hours, culminating in a Djokovic win but what Rafa referred to in the interim as the greatest match he ever played.
Who knows how the Spaniard feels about that assessment now, but it would be hard to imagine him bestowing such an honorific on his showing in this year’s final. With Djokovic’s 6-3, 6-2, 6-3 victory, the Djoker claimed his seventh title in Melbourne and his third consecutive major. The heat never bothered him anyway.
Resilience is a dual-edged sword. On the one hand, we admire and commend it, a necessary tool in every aspect of life at some time or other. We see it in others and say, “Wow, I’m not sure I could’ve recovered from that like that.” On the other, needing it at all reveals a prior shortcoming, if not an outright failure, or an unknowable psychological trauma, either of the self-imposed or externally-driven variety. In some cases, it’s both.
The 2019 Australian Open women’s final, between Naomi Osaka and Petra Kvitova, was one of mutual resilience. Each player carried something into the match, and with each point, it seemed to weigh ever more heavily. When Osaka finally prevailed over Kvitova, and everything else, to win 7-6, 5-7, 6-4, it seemed that the relief of not having lost was all that was keeping her upright on the podium.
Photo courtesy of moi
“Ladies and gentlemen, due to the humid conditions, Millman is going to change his attire.”
In the middle of the second set on during the men’s quarterfinal at the US Open on Wednesday night, with his opponent, Novak Djokovic, up a set already, unseeded John Millman took a precautionary measure with regard to his attire. He was sweating through his shirt, his shorts and maybe his shoes and hat, and he wasn’t going to stand for it anymore. For all intents and purposes, it’s been the story of the tournament in Flushing Meadows: the heat is just too damn hot.
The weather is a clichéd topic, one befitting casual acquaintances at a party while waiting for someone better to arrive, anyone who rides public transit at any time and Al Roker. At best, it should merely be tertiary fare for the final Grand Slam of the year. Yet, it has defined many of the matches so far, including Millman’s shocking, four-set upset of Roger Federer in the round of 16. Mother Nature would not sway Novak Djokovic so easily.
It’s a curious thing, this American exceptionalism. It always has been, even before we inadvertently and loudly made this country the most exceptional nation in the world this side of the Democratic People’s Republic of Korea, and even that bit is becoming questionable. Ego begets ego, and the hot air balloon rises seemingly infinitely, toward the clouds, toward the moon, toward the fully-visible sun. In any case, it’s getting away from here.
Every country is exceptional from the jump, at the most basic level. Any country can be exceptional in a next-level, “people are discussing this thing’s exceptionalism to a tautological degree in a bar over high-ABV motor oil right this second” sense. The logical next phrase there should’ve been “if it tries hard enough,” but then, that’s part of what got the United States into this in the first place, constantly feeling like the lights were turned on an hour ago, but you’re still at the aforementioned bar.
Courtesy of Paramount Pictures
Hold your breath. Make a wish. Count to three.
When he found himself down a set to 19-year-old American Frances Tiafoe, 36-year-old Roger Federer did not blink. As if staring directly into a sun of his own creation, Federer assessed his odds of survival and took to relying on the things that have gotten him by for so long: namely, an unparalleled control of proceedings and measured daring. Tiafoe dared the 19-time Grand Slam champion on numerous occasions, but the risks he took ended up being for naught, at least this time.
With a Roger Federer first round proceeding, the story becomes a narrative unto itself: how does Fed reveal himself, slowly, unsuspectingly, to a tennis public that has witnesses his every move, jut, turn and pivot? Even having abandoned this period of the previous calendar year, Federer remains a captivating sight for the tennis audience, especially those in New York, who yearn to watch perfection reach its most perfect, even under the most relenting of circumstances.
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“It can be cruel, sometimes.”
This is how Roger Federer, 2017 Wimbledon men’s champion and an eight-time winner at the All-England Club, summarized the tournament run of his opponent in the final, the Croatian Marin Cilic, but he may as well have been talking about any aspect of reality. You wake up, you check Twitter, you catch up on the overnight happenings of a world spinning increasingly out of control, you agonize at the absurdity of things, and then you see Roger Federer’s name trending. Wash, rinse, repeat.
But it’s Federer, who, in defeating Cilic 6-3, 6-1, 6-4 on Sunday morning to finish off a totally spotless Wimbledon in which he did not drop even a single set, that keeps you grounded in reality, even at 35. That isn’t to say tennis can’t be weird, or that Wimbledon as a whole wasn’t – on the contrary, this year’s edition served some of the strangest notes and outcomes in recent memory. But all of that is just noise, the subtle details in an otherwise all-white outfit befitting of a 19-time Grand Slam champion.
The English poet Francis Quarles, noted paraphrase royalty, once wrote, “The way to bliss lies not on beds of down, And he that has no cross deserves no crown.” As was more or less his M.O., and the standard run of play in seventeenth century literature, he was drawing largely from The Bible, though you could be forgiven if in a vacuum you thought he may have been discussing the rise of Stan Wawrinka, 2016 U.S. Open men’s champion.
Four sets: that’s all Stan Wawrinka needed to upend Novak Djokovic in the men’s final of the U.S. Open, which he captured in a magnificent 6-7 (1-7), 6-4, 7-5, 6-3 win that elicited some of the best shot-making either player has ever flashed. Once an underperforming prodigy, Wawrinka is now, against most well-meaning odds, a three-time major champion as well as, for the moment, the king of New York.
Putting a torch to a flame: that’s one way of dealing with the vexation of presumed certainty turning to capricious doubt. Nothing is certain, and doubt can be a useful progenitor for inspiration. Even Jesus looked around in anger.
Down a break in the fourth set to Ilya Marchenko, Stan Wawrinka looked inward, his steely resolve having forsaken him, and, as has happened on many occasions before, dispelled the rage within him via the destruction of a racquet, an inanimate Judas for lack of anything else.