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What is it that riles up the Gallagher brothers? The list of answers to that question are as extensive as the number of fans that fill the grounds at Knebworth in 1996, the framing device for the Oasis documentary Supersonic, which enjoyed a one-night U.S. debut Wednesday evening in cities across the country[1].

As several reviews noted ahead of time, Supersonic largely avoids anything from Knebworth onward, instead focusing its efforts on the Gallaghers’ childhood in a Manchester suburb, their shared musical ambitions and the eventual rise of Oasis while merely hinting at what falls outside of the film’s timeline. Despite this somewhat revisionist view – who among us in 2016 isn’t out to use filters to enhance away imperfections, real or perceived – the film is a compelling look at the most important, and self-important, British band of the mid-1990s.

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At the risk of sounding like a BuzzFeed article, here is a video from the internet, and I’m going to give you a list of things related to it which, I hope, will make you want to watch the video so that you can nod along with me.

Of all the byproducts of mid-90s Anglophilia, including the Spice Girls, Trainspotting and the worldwide coverage of Princess Diana’s death, perhaps the most notoriously raucous entity to emerge was the rock band Oasis. You remember, they of “Wonderwall,” the anthem of every college freshmen stairwell guitar player and 90s-themed parties? The Gallagher brothers fought relentlessly, against Blur, against the media and, most notably, against each other, eventually culminating in a breakup just prior to a 2009 concert in Paris.

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