“Hey, have you seen The Wire? No? It’s the best show ever.”
If you’ve ever debated the best shows on television, you’ve probably had some iteration of this conversation. And you know what, that person was right: The Wire was the best show on television. While titles like Breaking Bad and The Sopranos may be popping into your head, the fervent devotees are quick to note the series that depicts an unflinching portrait of Baltimore is undeniably the best. I’d argue its construction is the closest anyone has come to putting a novel on television.
Now, unpopular opinion alert: Orange is the New Black just stood atop a cafeteria table and silently declared itself the best show currently on “television.” It did so by following the blueprint laid out by The Wire.
“The night is dark and full of terrors.”
That is a refrain from HBO’s hit fantasy series Game of Thrones, but it applies just as well, literally and figuratively, to the premiere episode of the network’s latest eight-part miniseries The Night Of.
The episode takes place over a single night in New York City, following Naz (Riz Ahmed), the soft-spoken son of a Pakistani cab driver. Naz’s night begins like so many stories about millennials coming-of-age over the course of an evening out in the Big Apple. He breaks the rules, taking his father’s taxi without permission, meets a mysterious seductress (Sofia Black D’Elia) and even swallows some pills (probably Molly). The night culminates with Naz having sex with the hot girl.
But the night is never “fun.” There is no soundtrack of plucky indie music that swells at just the right moment. Instead, Naz awakes to find the girl dead, stabbed to death in a grizzly scene out of a Saw movie.