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Courtesy of Paramount Pictures

Hold your breath. Make a wish. Count to three.

When he found himself down a set to 19-year-old American Frances Tiafoe, 36-year-old Roger Federer did not blink. As if staring directly into a sun of his own creation, Federer assessed his odds of survival and took to relying on the things that have gotten him by for so long: namely, an unparalleled control of proceedings and measured daring. Tiafoe dared the 19-time Grand Slam champion on numerous occasions, but the risks he took ended up being for naught, at least this time.

With a Roger Federer first round proceeding, the story becomes a narrative unto itself: how does Fed reveal himself, slowly, unsuspectingly, to a tennis public that has witnesses his every move, jut, turn and pivot? Even having abandoned this period of the previous calendar year, Federer remains a captivating sight for the tennis audience, especially those in New York, who yearn to watch perfection reach its most perfect, even under the most relenting of circumstances.

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Photograph by Joe Robbins/Getty Images

I’m not at all qualified to discuss sports, professional or otherwise. Or, at least, not in the view of the people who believe Colin Kaepernick’s unemployment is anything other than a morally righteous comeuppance, an inevitable reaction to a decorated athlete of color speaking his mind. How dare a person have thoughts beyond their scope of expertise? Can’t he just keep quiet, perform for the fans and accept his sizable paycheck? Why doesn’t he #sticktosports?

Given that thought process, none of us are qualified to form an opinion on, really, anything. Your dentist shouldn’t tell you what he thinks about the Mets’ starting rotation, nor should your accountant divulge his thoughts on Gary Bettman’s perpetual dismantling of professional hockey. Drill the teeth, find the tax breaks, shut up and do your job. Most notably, of course, the current POTUS wouldn’t be anywhere near his position had much of his base applied to him the same logic they – liberally – apply to athletes, given his complete lack of political experience and expertise prior to assuming the role[1].

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The moon hides the sun for about two hours. That’s basically what all this business about the solar eclipse comes down to – the 14 brands of sunglasses NASA’s approved for viewing, the hastily requested time-off notices, the paths of totality sounding like some phony spiritual journey, the 99 years of waiting. But some state Departments of Transportation are taking it seriously in an effort to work around what they see as being a potentially severe congestion problem along many of the country’s major trucking routes. From I-5 running parallel up Oregon’s coast to I-26 slicing through the heart of South Carolina, officials are considering limited deliveries and restricted wide loads.

It’s a stone of madness, really. The country’s major terra firma shipping arteries could be clogged by a bunch of us desperate to stare at our most blistering light in the anticipation that it gets hidden for a twelfth of our day. What new astrological insights are we hoping for from down here? What are we expecting to be different? What truth will freshly burned retinas bring us?

Plenty of cosmic rituals make absolutely no sense to me, but this one is its own reality.

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***This storyline is ever changing. Every day there seems to be a new development and the rollercoaster of emotions is not stopping. Check back in from time to time to see my updates and newest thoughts. Or don’t. But I prefer you do because that way I don’t feel like I’m alone in this***

At last, the greatest combat sporting event is upon us. Yes, you are correct: I did predict this event would get done this year. Please, save your applause and congratulations, though, because I was incorrect about the date. We shoot for 100% accuracy around here, and settle for nothing less (If you feel compelled, please throw me a follow @derekjbeaupre and let me know how brilliant I am there).

“Derek! You were right! It’s happening!”

“Derek! Are you even sleeping with your level of excitement?”

“Derek! Has your girlfriend left you yet because you won’t stop yelling about Conor yet?”

Thanks, I know. No. And not yet, but we’re teetering.

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“Salieri pours poison into Mozart’s glass,” Mikhail Vrubel

The popular perception of Antonio Salieri, if the stage and film versions of Amadeus are to be believed, is that he was the unforgiving rival of Wolfgang Amadeus Mozart, the man who championed the Austrian composer publicly while attempting to derail his career privately, like a southbound A train without a supportive governor for assistance. The film, of course, used poetic license to an extreme in the cases of both Salieri and Mozart, suggesting that, while there was some sense of rivalry, there was also a begrudging respect, manifested in the fact that Salieri conducted a handful of Mozart’s works both while the composer was alive and afterward.

A physical specimen of uncommon stature, even by 2017 standards, Russell Westbrook is not the prototypical NBA player. He stands at a modest 6’3” and weighs an everyman-esque 200 pounds[1], yet he in his 6’3”, 200-pound frame has done more in an athletic context, pound for pound, than perhaps anyone else (a) not playing upper echelon European soccer, (b) not an NFL quarter- or halfback, if that counts, or (c) named Allen Iverson[2]. On Monday night, for his efforts this past season, one which was forgotten in June but will never, ever be forgotten, Westbrook was awarded this season’s Most Valuable Player.

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Courtesy, I guess, of Absolute Entertainment

“One man. One bus. Three hundred and sixty miles of simulated post-apocalyptic desert, and the endless struggle between man and nature personified.”

So begins the description of the iTunes version of Desert Bus, a minigame which originated on Sega and the PC within the world of Penn & Teller’s Smoke and Mirrors and which has been hailed by some, including The New Yorker, as “the very worst video game ever created.” It is a testament to futility, yet one which allows for the possibility, however minimal and cockamamie, of victory. Drive the distance from Tucson to Las Vegas, in painstaking real time and with the bus constantly swerving just so to the right, and be rewarded with a single, solitary point. The game cannot be paused.

The metaphor you likely saw coming: LeBron James is the driver of this bus. Each game of these Finals is likely to be his own, personal trek to Las Vegas[1] on behalf of a nation that unwittingly bought a ticket. We’re all aboard for the rubber match of a rivalry that is set to define this revolutionary half-decade of NBA basketball, a handful of years which will determine the course of the league, and its game, for a long while. But first, of course, must come the unmanageable task of the series itself.

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Image result for master of none season two

Courtesy Netflix

There is way too much television content out there right now. While this could be an understatement, consider the following: “Comedians portraying a fictional version of themselves” is now a comedy subgenre. At least five of these shows have premiered since 2010, and there are probably more examples if you stretch the definition a bit[1]. All are set in urban environments and feature a famous comedian playing a not-yet-famous performer who is unlucky in love and life, and probably depressed as a result.

These shows are meta as hell, but they still expect the audience to empathize with the characters as if they were not just stand-ins for the comedians. It seems doubtful anyone would have understood how this could become a trend as recently as ten years ago, but now standup is practically a stepping stone to creating dramedies, not helming a sitcom. Comedians are now expected to be auteurs.

Aziz Ansari’s Master of None returned with a new season a few days ago, and it feels most akin to the show that truly started this trend, Louis CK’s Louie[2]. CK and Ansari both masterfully channel the same, neverending frustration of searching for a perfect partner, while also paying tribute the hilarious oddities and breathtaking beauty offered by Manhattan’s diverse expanse[3].

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“’Aye, verily this is the hound of a man that has died in a far land. If he were but in form and in action such as he was when Odysseus left him and went to Troy, thou wouldest soon be amazed at seeing his speed and his strength.

No creature that he started in the depths of the thick wood could escape him, and in tracking, too, he was keen of scent. But now he is in evil plight, and his master has perished far from his native land'” – Homer, The Odyssey, book 17, lines 314-319

On Tuesday night, another season of New York Rangers hockey came to an end. It was fairly unceremonious, at least as far as Rangers hockey goes; the aging goalie did what he could, abandoned by a similarly aging[1] blue line and all the scoring talent of fake bands in prestige television shows, propped up as a way to make money for the protagonist, whomever s/he is and whatever their motivation. Entertainment is what it is, but hockey, also, is what it is. Both of these things, and neither of them, define the present-day Rangers.

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Triple Self-Portrait, Norman Rockwell (1960)

Today marks the beginning of the NBA playoffs, a most glorious time of the year when the basketball is noticeably better. In a season full of downright certainty underpinned by complete uncertainty, these playoffs are going to shock and surprise us in ways we can’t even imagine, because they almost universally do. Can’t hold anything back now, and all that.

For just a brief moment, however, it seems fitting to gaze back with awe on one of the more improbable regular seasons we are ever likely to see, one full of jaw-dropping individual performances. Specifically, and with the utmost respect, it is my duty to inform you that, unless you are one of the members of the media yet to reveal their MVP vote via a longform column explaining why you didn’t pick any of the other candidates instead, nobody cares about your choice for this year’s NBA MVP.

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“Open” is a peculiarly malleable word, one which shifts with the times and becomes whatever the ones weaponizing it desire. Fields can be open, as can forums; countries, well – that’s up to big wigs.

Merriam-Webster takes one opportunity to define something that is open as “enterable by both amateur and professional,” as well as, primarily, “having no enclosing or confining barrier.” When confronted with the realities of the 2017 Australian Open, it is vital to keep these two, in particular, in mind. The former is a matter of practice and formality; the latter is a guide to understanding the drafts that continue to slip through the windows of two tennis players born just under two months apart 35 years ago: Serena Williams and Roger Federer.

Over the past few days, I’ve been struggling to comprehend what I watched happen in the finals at the first major of the year. Literally half a world away[1], four tennis players on the wrong side of 30[2] survived tough draws, lucky breaks, stunning upsets and injury scares to reach a pair of Grand Slam finals which would’ve appeared unremarkable a decade ago but which, in 2017, were downright anachronistic.

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