One timeout was all that separated the Cleveland Cavaliers from potentially, vitally making this a series. We were so close. We were as close to Heaven as we’ll ever be. But JR Smith had other ideas.
The switch exists. I’m telling you right now because, for the second time in my life, I was lucky enough to see the man at the helm in person, and at 33 years young, he was as commanding of attention as he was in command of the game, and when he needed to, LeBron James turned the volume all the way up and told your parents to mind their Ps and Qs. Last Sunday, in Brooklyn, I saw the switch in action.
It isn’t that he isn’t great all the time – he is, and he has been for the overwhelming majority of his breathlessly Hall of Fame career – but to watch him have to be, with his still-gelling team nervously jetting and firing around him in an effort to show that yes, we’re good enough, please stay, adds another layer to an almost unquantifiable NBA experience.
“One man. One bus. Three hundred and sixty miles of simulated post-apocalyptic desert, and the endless struggle between man and nature personified.”
So begins the description of the iTunes version of Desert Bus, a minigame which originated on Sega and the PC within the world of Penn & Teller’s Smoke and Mirrors and which has been hailed by some, including The New Yorker, as “the very worst video game ever created.” It is a testament to futility, yet one which allows for the possibility, however minimal and cockamamie, of victory. Drive the distance from Tucson to Las Vegas, in painstaking real time and with the bus constantly swerving just so to the right, and be rewarded with a single, solitary point. The game cannot be paused.
The metaphor you likely saw coming: LeBron James is the driver of this bus. Each game of these Finals is likely to be his own, personal trek to Las Vegas on behalf of a nation that unwittingly bought a ticket. We’re all aboard for the rubber match of a rivalry that is set to define this revolutionary half-decade of NBA basketball, a handful of years which will determine the course of the league, and its game, for a long while. But first, of course, must come the unmanageable task of the series itself.
Last night, LeBron James willed the Cleveland Cavaliers to a Finals victory over a vastly superior team in the Golden State Warriors. It was an incredible feat, and it seems less believable the more I think about it. The Cavs have some real talent, but there are also some absolute clowns on that roster, and some of those clowns played minutes late in the fourth quarter of Game 7.
This led me to compare the team to Kanye West’s GOOD Music label, which just released an absurdly fun posse cut called “Champions” that might be just perfect for this moment because of the title and the fact that GOOD Music has plenty of clowns that play in crunch time, too. I think both rap music and basketball benefit from strong personalities. The individuals drive most of the conversation, at the least. That made this string of analogies fun to write, even if they are ridiculous and admittedly completely pointless.
Finally, the series we all assumed would happen for much of the season has arrived. In what many will call “a rematch,” NBA Finals begins tonight, with the defending champion (and Greatest Regular Season Team Ever™) Golden State Warriors once again welcoming the Cleveland Cavaliers to Oracle Arena. Calling it “a rematch” is technically correct insofar as the same two franchises representing the same two cities as last year return; however, what makes the Finals so apparently compelling is how much the circumstances surrounding these teams have changed since June 2015.
For all intents and purposes, the Cavs arrive in Oakland a different team entirely from the one that pushed last year’s Warriors to six games, though the chip on their shoulder carries more mass than that of the nearly 400,000 Cleveland residents combined. Golden State, meanwhile, has merely greased the wheels of its finely-tuned apparatus, defying every expectation except their own.