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Serbia's Novak Djokovic celebrates beating Switzerland's Roger Federer by eating a blade

AFP

In the parlance of modern tennis, Roger Federer has become the default, that against which any and all challengers fill in a blank as some kind of placeholder until the younger, better next generation arrives. For many players over the last decade, most notably Spanish clay court foil Rafael Nadal, it is a frustrating truth which is, nevertheless, true, because playing in the shadow of a man who has won seventeen Grand Slam titles since 2003 leaves you in a begrudging negative space, an elephant graveyard where hyenas battle for Federer’s scraps.

Unlike Nadal, Andy Murray and other would-be mutineers, however, Novak Djokovic has always looked like he feels comfortable in that negative space. His rocketing serves, his maddening return game, his consumption of grass: this is the one they colloquially call “the Joker,” and he is the best tennis player alive.

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Oath_Tennis_Court.jpg - "The Oath of the Tennis Court." Pen and ink drawing by Jacques-Louis David, 1791. This monumental work, designed to be a preliminary to a larger painting (never completed), was first displayed to the public in the Salon of 1791, where it met with great enthusiasm. In its meeting of June 17th, the Third Estate had declared itself to be the National Assembly, the representatives of the sovereign nation, and invited the Clergy and the Nobility to join it. Although some lower clergy accepted the invitation and crossed over, the other orders refused at first. On June 20, the king ordered their meeting rooms locked so the Third Estate and their clerical allies met instead in a tennis court in the nearby Jeu de Paume, and their members took a solemn oath refusing to leave until a new constitution for the kingdom was established. On June 27, the king orders the rest of the Clergy and Nobility to join the National Assembly.

The Oath of the Tennis Court, Jacques-Louis David

On June 20, 1789, a group of peasants, serfs and wage-laborers, representatives of France’s lower-class Third Estate, found themselves locked out of a meeting in Versailles which King Louis XVI ostensibly called to formulate strategies which could pull the nation out of a state-induced financial crisis. Outraged, the oft-ignored Third Estate reps decided to call a meeting of their own, which they held on a tennis court, and at which they signed an oath against the heads of state which eventually led to the French Revolution. Historians now cite the Tennis Court Oath, originally an act of desperation from an outraged people, as one of the most important events in European history, and we continue to feel its reverberations today.

On Wednesday, a different revolution from a different outraged person occurred roughly fourteen kilometers from Versailles on another tennis court. Its effects, while far less deleterious to the French government, could have a similarly wide-reaching impact on the status quo, particularly the oft-ignored, #1-ranked player and the reigning king against whom he staged his coup.

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Foxsports.com

We are not Lleyton Hewitt. Or, at the very least, I’m not, and I imagine the overwhelming majority of my readership is not as well. This is true for a lot of reasons; I am not Australian, nor am I the youngest men’s world No. 1 in history. I have yet to win a Grand Slam singles title, despite my wildest dreams, nor is my middle name Glynn. Most of all, however, I am not Lleyton Hewitt because I will never know what it’s like to play tennis on speedboats in the Sydney Harbor with Roger Federer.

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Wimbledon is somewhat like the Masters. It’s steeped in tradition (BERRIES AND CREAM) and a color palette of purple and green that is as identifiable as the Kelly green and gold of Augusta National. The event is also marked by its air of privilege and exclusivity that rivals America’s Butler Cabin. Not everyone can get into the All-England Club, you know.

However, the upturned nose of Wimbledon was broken during the lead up to the tournament when Maria Sharapova and Serena Williams added what should have been another chapter to Bomani Jones’ #SHADE series.

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