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(Via Pitchfork)

There was a moment when I just sat staring at the scene in Chicago’s Union Park. It was on Sunday, the last day of the 2015 Pitchfork Music Festival. Caribou was playing on the main stage, the smell of marijuana was pungent, and I was enjoying a hot dog. There were people everywhere. Most crowded at the front of the stage for Caribou, some standing idly talking with their friends, and others, like myself, nodding along to the bassline of “Can’t Do Without You.” It was a moment of clarity that I experienced in a festival (my first) marked by a rush of emotional states which played out like a roller coaster through a grueling three day plunge. There was CHVRCHES’ maelstrom of synth, Freddie Gibbs putting Pitchfork on blast for previous line-ups, an actual maelstrom that shutdown the festival for all of 20 minutes, the dirge of listening to Panda Bear and the rowdiness of A$AP Ferg’s energetic dorkiness. Yet, throughout all of it, festival goers noticed a fair amount of community throughout the throngs of festival goers. We weren’t inundated with a slew of corporate sponsors, distractions and a disorienting amount of people. That community created an atmosphere in which we could enjoy the acts, no matter how close or far away we were from each respective stage. It was a community I was glad to be part of for three days.

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Memorial Day Weekend is on the horizon¹, and that means we are officially entering Summer Jam Season™. It’s time to break out your sunglasses, sun tan lotion and tracks that someone else has deemed “Songs of the Summer.” Of course, no two songs define the season from person-to-person if we’re being honest here. No outlet can definitively tell you how to relax by the pool, take in the rolling waves of the beach or ride your bike through the piping hot city streets. Plus, the Summer Jam Season™ changes and morphs throughout time. Whatever is hot during Memorial Day Weekend is going to be well past its sell-by date once we hit the dog days of August.

We here at TwH are not in the business of declaring something as THE Song of the Summer – there are a ton of other places for that. We’re just here to guide you to some songs you might want to add to your Spotify, iTunes or that little upstart streaming app with a teal logo, for the summer. We’ll give you updates as the summer progresses.

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(Courtesy of XL Recordings)

Shamir was first introduced to a wider audience when he released the video for “Call It Off” during the 2015 YouTube Music Awards. He went from critical darling on the Internet to having his image projected out in meatspace a la electronic billboard in Times Square. Yet, the 20-year-old from North Las Vegas was met with sideways glances rather than warm embraces. The androgyny of both his colorful appearance and his high tenor drew heteronormative vitriol, for which Shamir responded in kind on Twitter by confidently announcing his gender fluidity.

As someone who strived for country stardom, experimented with punk and is now settling into a mode constructed by synthesizers, Shamir seems almost like an avatar of attention-deficit Millennials. His inspirations range in popularity from Joyce Manor to Taylor Swift – a by-product of a generation raised on having numerous browser tabs open at once. Everything is fair game. If there was a blueprint for how a young pop star should look, sound, and act in 2015, Shamir would be it.

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