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One of my greatest weaknesses is an inability to remain calm; even when silent, my hands are shaking, or my feet are bouncing, or my eyes are darting. Because of the prolonged, unnecessary chaos happening in previously functional communities here and abroad, this is now my default state.

When the going gets tough, sometimes the going has to come to a complete stop. In a summer sponsored by atrocity, brought to you by the same people who convinced your bosses to lay you off or, better, yet, convinced you to get a STEM degree a decade ago before eliminating the sciences in favor of the bomb, it’s been a little difficult to focus on any one thing and even more so for the good.

Acknowledging all of that, though, means acknowledging the rest, the aforementioned good. The candle of joy, wherever and however possible, is now the daily pursuit of millions of us. Maybe we even shared in one of these instances.

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(Via Hardly Art)

The all-woman quartet of La Luz has built its reputation as a surf rock band that resides in the shade. Shana Cleveland’s scorching guitar riffs recall the raucous stomps of Dick Dale, and the rinky dink organ sounds of Alice Sandahl suggest lackadaisical days in the sun. Yet, with titles like “Pink Slime,” “Big Big Blood” and “Sunstroke,” there’s an undertone that they’d rather be hanging out at a beach side resort’s indoor pool than actually basking in the light. Read More