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Tag Archives: #Le Mans

I.

It’s no spoiler to tell you a dark sky reserve is exactly what it sounds like. As more and more of us get born and more and more of us die slower, more and more of us generate heat, emit light, pursue both. It’s bad for nature (which you knew and didn’t care about, really), but it’s also bad for us (which maybe you didn’t, fully; just think of the heartbreaking anecdote about LA residents who couldn’t even recognize their own Milky Way). That’s why the International Dark-Sky Association has worked since 1988 to preserve places on the map where light pollution can be minimized and space can be seen with the minimal effort of tucking away a phone, turning off your car, putting out the fire.

Only 48 officially designated International Dark Sky Parks exist right now. One of them is about four hours from where I live, a straight shot north past Milwaukee, past Green Bay, past acres of rolling Wisconsin farmland and out to the tip of Door Co. at Newport State Park, Wisconsin’s only wilderness-designated state park. There’s nothing up there. That’s the point.

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Brad Binder & Team Parc Ferme Termas de Río Hondo 2016

Given the exhibition’s modest title, Van Gogh’s Bedrooms at The Art Institute of Chicago made for a considerable cultural experience before it closed this past week. Curators devised a show winding its way from a giant wall-sized map detailing all 37 of the Dutch artist’s chronicled residences to a serpentine timeline of his life wrapping its way into rooms replete with exotic pieces that influenced him, carefully positioned portraits and drawings, and even a life-sized imitation of the Yellow House’s bedroom itself. The whole thing culminated in the three Arles paintings arranged alongside one another in chronological order. For an exhibit about an alarmingly cramped bedroom, you got your money’s worth.

You had to, really – maybe it’s heartening to see from a cultural studies perspective but, as a sane patron, waiting in line for 90 minutes (or more during peak weekend hours) can turn from enriching to scut work, even if it is art’s most famous sleeping quarters.

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