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nightof4allson

In college, I was on the Mock Trial team. It shares similarities with a debate team, except in the format of a trial. Each year, you’re given a fictional case, with fictional witnesses. You perform cross examinations and closing arguments before judges and get scored on everything from the logic of your argument, to your auditory skills, to whether you wore the correct tie (seriously). I bring this up because it colors how I view The Night Of. I am, by no means, a lawyer – at best, Mock Trial gave me a base understanding of the law and trial processes – but after a few years of pretending to be lawyer, I’ve realized I view this show in a pragmatic way.

I haven’t been as invested in the emotional beats of the show as much as the legal ones. To be clear, the emotional beats are there. The show has hit hardest when following the destruction of the Khan family. Poorna Jagannathan’s blank stare at the throng of reporters outside her home was devastating in its simplicity. Peyman Moaddi’s bewilderment when he learns his son must withdraw from school because of the violent actions of others. Their lives have been turned upside down because of something Naz is accused of doing. But in The Night Of, just like the real world, there is no presumption of innocence, and as a result, Naz’s family has suffered as much as he has.

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HBO

“The night is dark and full of terrors.”

That is a refrain from HBO’s hit fantasy series Game of Thrones, but it applies just as well, literally and figuratively, to the premiere episode of the network’s latest eight-part miniseries The Night Of.

The episode takes place over a single night in New York City, following Naz (Riz Ahmed), the soft-spoken son of a Pakistani cab driver. Naz’s night begins like so many stories about millennials coming-of-age over the course of an evening out in the Big Apple. He breaks the rules, taking his father’s taxi without permission, meets a mysterious seductress (Sofia Black D’Elia) and even swallows some pills (probably Molly). The night culminates with Naz having sex with the hot girl.

But the night is never “fun.” There is no soundtrack of plucky indie music that swells at just the right moment. Instead, Naz awakes to find the girl dead, stabbed to death in a grizzly scene out of a Saw movie.

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