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For some of us, 2015 was a year of fulfillment, consistency and hope. For the rest, it served unpredictable dishes with sides of indifferent mediocrity, crushing despair and lukewarm-bordering-on-cold broccoli. That’s not to say that lukewarm-bordering-on-cold broccoli is necessarily bad, but it definitely could’ve been better.

No matter the feeling of leaving 2015 in the cracked rear view, a new calendar is upon us. With it comes so many more opportunities for change, inspiring moments in sports, reasons to believe, heartbreaking losses and chances to leave your friends hanging by staying in on a weekend night because you don’t want to deal with it. We at TwH get that. In that spirit, we gathered around our digital campfire and threw darts into our brains trying to pinpoint some of what we think may come to fruition in the coming year. Don’t quote us on this.

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A lot has changed for Jay-Z since 2011’s Watch the Throne, which serves as social commentary from the top wrapped in a luxury item inventory. His empire has grown tentacles, his influence growing almost on a daily basis. The Brooklyn Nets opened their home at the Barclays Center. Then, he sold his share of the team so he could represent athletes with Roc Nation. Even Magna Carta Holy Grail is a record that is more business than personal. The marketing scheme surrounding the album was based on an app which only Samsung Galaxy owners could download on Independence Day – all others had to wait until July 9th. This is Jay-Z cementing his brand while increasing his bottom line. But, all is not golden at the top of the world.

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Genres of music are being broken down into very specific, micro classifications due to the tags that taste makers, music bloggers, and critics fabricate to identify a certain styling that has yet to be labeled. At times, it can be difficult to keep up with but, at the same time, they are very fun to explore. Each week, I will explore a different sub-genre and try to explain the stains left on my shirt after climbing out of each tedious rabbit hole of musical stylings.

PBR&B (also known as indie R&B, alternative R&B, or, yikes, urban contemporary) is a relatively new sub-genre that was slapped with this distinction around the time that artists like Frank Ocean, Miguel, How to Dress Well and Theophilus London started to drop material. The sound of PBR&B is more or less defined by an exchange of ideas from several other genres such as EDM, hip-hop, rock and soul. It draws greatly upon the influence of R&B from generations past and filters it through a modern lens. The best examples of this are Ocean’s Channel Orange and How to Dress Well’s Total Loss. The former utilizes a lot of the same style techniques from legends like Marvin Gaye, Al Green in a lush, hip-hop oriented soundscape, while the latter feels more like a Ralph Tresvant record set to Gregorian chants. The artists that represent the sub-genre also diverge from the common theme that dominates the narratives of its standard bearers.

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