I didn’t ask for a Les Paul[1] for my birthday one year because of Eric Clapton; I did it because of Jimmy Page, who by 1973 had become all of Rock Music, as far as what most of the U.S. and England – therefore, most of the popular rock music world at the time – had accepted and acknowledged should be. Page maximized what a Les Paul guitar could sound like and expanded that context further than its namesake, an incendiary jazz player in his own right, likely imagined.

I don’t know that my request happens, though, without Clapton’s playing on what is probably the definitive British blues record of that time, in a period when British blues is reviving American blues sensibilities.

The Beatles, the Stones, the Kinks, among others, witnessed it all and drew from it. “It,” in this case, is John Mayall’s Bluesbreakers. Mayall himself, a Macclesfield native son whose stretch we may not completely realize, died on Tuesday at 90, leaving an influence that extends at least as far as Cream and Fleetwood Mac.