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Brad Binder & Team Parc Ferme Termas de Río Hondo 2016

Given the exhibition’s modest title, Van Gogh’s Bedrooms at The Art Institute of Chicago made for a considerable cultural experience before it closed this past week. Curators devised a show winding its way from a giant wall-sized map detailing all 37 of the Dutch artist’s chronicled residences to a serpentine timeline of his life wrapping its way into rooms replete with exotic pieces that influenced him, carefully positioned portraits and drawings, and even a life-sized imitation of the Yellow House’s bedroom itself. The whole thing culminated in the three Arles paintings arranged alongside one another in chronological order. For an exhibit about an alarmingly cramped bedroom, you got your money’s worth.

You had to, really – maybe it’s heartening to see from a cultural studies perspective but, as a sane patron, waiting in line for 90 minutes (or more during peak weekend hours) can turn from enriching to scut work, even if it is art’s most famous sleeping quarters.

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A lot has changed for Jay-Z since 2011’s Watch the Throne, which serves as social commentary from the top wrapped in a luxury item inventory. His empire has grown tentacles, his influence growing almost on a daily basis. The Brooklyn Nets opened their home at the Barclays Center. Then, he sold his share of the team so he could represent athletes with Roc Nation. Even Magna Carta Holy Grail is a record that is more business than personal. The marketing scheme surrounding the album was based on an app which only Samsung Galaxy owners could download on Independence Day – all others had to wait until July 9th. This is Jay-Z cementing his brand while increasing his bottom line. But, all is not golden at the top of the world.

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