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Tag Archives: 2 Chainz

Last night, LeBron James willed the Cleveland Cavaliers to a Finals victory over a vastly superior team in the Golden State Warriors. It was an incredible feat, and it seems less believable the more I think about it. The Cavs have some real talent, but there are also some absolute clowns on that roster, and some of those clowns played minutes late in the fourth quarter of Game 7.

This led me to compare the team to Kanye West’s GOOD Music label, which just released an absurdly fun posse cut called “Champions” that might be just perfect for this moment because of the title and the fact that GOOD Music has plenty of clowns that play in crunch time, too. I think both rap music and basketball benefit from strong personalities. The individuals drive most of the conversation, at the least. That made this string of analogies fun to write, even if they are ridiculous and admittedly completely pointless.

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“Did 2 Chainz already perform?” my friend asked as we pulled up to the amphitheater gates. He had just checked the time as we got off the bus – it was 9:30. We were worried that we had missed his set; hoping (but not necessarily happy) that we had just missed T.I.

“He just got off stage,” the amphitheater staff member told us. “Wayne’s ’bout to go on next.”

Our spirits sunk. We turned to the rest of our friends who were filing in behind us to tell them the bad news. The look on their faces was that of devastation. Forget the fact that we hadn’t missed the headliner – we missed 2 Chainz. And I think that’s about the point that I realized how weird the landscape of Hip-Hop has become.

Lil’ Tunechi

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Genres of music are being broken down into very specific, micro classifications due to the tags that taste makers, music bloggers, and critics fabricate to identify a certain styling that has yet to be labeled. At times, it can be difficult to keep up with but, at the same time, they are very fun to explore. Each week, I will explore a different sub-genre and try to explain the stains left on my shirt after climbing out of each tedious rabbit hole of musical stylings.

DJ Mustard, at the vanguard of ratchet

 The murmuring drone of a keyboard starts the track then the barely decipherable watermark drops quickly, “Mustard on the beat, hoe”. What followed was America’s introduction to ratchet music. This was the new sound of Los Angeles: stripped down, bare bones, minimalist, direct approach to rap that received national attention with Tyga’s ubiquitous “Rack City”. It also didn’t hurt that the song became ushered in the arrival of Chris Paul with the Clippers. Even though some in Shreveport claim that they fabricated the sub-genre long before Blake Griffin started time traveling, Los Angeles has successfully appropriated the name for it’s current obsession.

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