Triple Self-Portrait, Norman Rockwell (1960)

Today marks the beginning of the NBA playoffs, a most glorious time of the year when the basketball is noticeably better. In a season full of downright certainty underpinned by complete uncertainty, these playoffs are going to shock and surprise us in ways we can’t even imagine, because they almost universally do. Can’t hold anything back now, and all that.

For just a brief moment, however, it seems fitting to gaze back with awe on one of the more improbable regular seasons we are ever likely to see, one full of jaw-dropping individual performances. Specifically, and with the utmost respect, it is my duty to inform you that, unless you are one of the members of the media yet to reveal their MVP vote via a longform column explaining why you didn’t pick any of the other candidates instead, nobody cares about your choice for this year’s NBA MVP.

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Courtesy of the author

With Andre Roberson closing quickly, Brook Lopez launches a three, early in the shot clock but with enough space to give it a chance. The ball clanks off the front of the rim, kisses the backboard and falls into the left hand of professional basketball’s most perplexing genius, to rapturous applause from what should be a hostile crowd. It is the latter’s tenth rebound of the night, and after adding two more, combined with his 25 points and 19 assists, the intensely focused scientist sits, his team all but guaranteed a victory they would soon officially claim, his 33rd triple-double of the season secure.

Thunder doesn’t only happen when it’s raining. It was in the middle of March, in the midst of an overhyped blizzard, that the Brodie came to Brooklyn.

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Suffering from a deafness which plagued him over the final three decades of his life, Ludwig van Beethoven explored new and innovative areas of musical theory which sometimes left him in controversial straits with critics. Having already composed countless quartets and sonatas as well as several symphonies, Beethoven continued to push the bounds of sound through his late period, often incorporating the influences of Bach, Handel and his immediate predecessor as foremost composer in the world, Wolfgang Amadeus Mozart. Until his death in 1827, Beethoven strove to perfect the sounds and styles of the time which produced him.

On Sunday, two NBA title contenders, each by an MVP candidate, met in Houston for the second and final time in the regular season. The team that prevailed, the Houston Rockets, did so in much the same fashion as they have done all year: by adhering to their particular brand of the NBA’s prevailing style, launching as many threes as possible and, when that wasn’t available, getting to the rim for high percentage shots and foul opportunities. At the eye of the Rockets’ storm is James Harden, high-volume wing-turned-obscenely efficient point guard, a scoring machine in either case.

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What makes Zlatan happy?

Again, nomadic striker Zlatan Ibrahimovic announced his uncertainty for the future. Having only arrived last summer, Zlatan may be on the move again. Leading Manchester United in goals, angling his unwieldy frame into unlikely scoring positions, outplaying players two-thirds his age: all of this bores Zlatan. Are we all Zlatan?

Zlatan pleases us, but what it is that pleases Zlatan?

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Have you ever won 100 of anything, consecutively? Have you ever won 100 of anything at all? How many things have you ever even done 100 times that don’t involve opening your eyelids for the first time during this rotation of the earth?

If you’ll allow a phone-a-friend: my guess to all of the above is somewhere in the neighborhood between “nothing” and “cooked Ramen.” Nowhere in your lexicon of activities performed to the century can you list “won a basketball game,” because the only people alive who have done that are involved with the women’s basketball team at the University of Connecticut.

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“Morte di Cesare,” Vincenzo Camucci

As common as love, perhaps more so, betrayal is a delicate theme which, if the Book of Genesis is to be trusted, has permeated history since the inception of existence.  We know how this one goes: a serpent tempts Eve into an apple from the tree of the knowledge of good and evil, which is strike one; soon thereafter, their sons elicit contrasting reviews for ostensibly the same work, causing the first instance of jealousy and, subsequently, the first instance of murder in the form of fratricide, which is strike two; many centuries later, Julius Caesar crossed the Rubicon into Roman Italy and earned himself a perpetual dictatorship, until a group of his friends decided that perhaps that wasn’t such a good idea. Several centuries after that, we learned to sum up betrayal in three words, none of them English: “Et tu, Brute?”

On Saturday night, Kevin Durant returned to Oklahoma City, the arena and area which raised him from a lanky post-Supersonic to an NBA MVP, to face the Thunder at Chesapeake Energy Arena for the first time. Despite two massive victories over the Thunder already under their belts, there was no reason to expect this would be easy, particularly with many fans and, as it turned out, teammates still twisting the knives out of their backs.

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Image result for atlanta devonta freeman ankle

Regardless of what happens on February 5th, the 2016-17 NFL Playoffs have undeniably been an offensive showcase. Some of this was due to the best defenses in the league (Denver, Baltimore) inexplicably missing the playoffs in favor of a Ryan Tannehill Matt Moore-led Dolphins team[1]. There were also multiple playoff teams with legitimate game changing defensive stars (Earl Thomas, Khalil Mack, and J.J. Watt) who fell prey to injuries. With the road cleared, the NFL’s streaking QBs and star skill position players drove down the field on nearly every possession. Al Michaels surely hopes everyone bet the over.

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“Open” is a peculiarly malleable word, one which shifts with the times and becomes whatever the ones weaponizing it desire. Fields can be open, as can forums; countries, well – that’s up to big wigs.

Merriam-Webster takes one opportunity to define something that is open as “enterable by both amateur and professional,” as well as, primarily, “having no enclosing or confining barrier.” When confronted with the realities of the 2017 Australian Open, it is vital to keep these two, in particular, in mind. The former is a matter of practice and formality; the latter is a guide to understanding the drafts that continue to slip through the windows of two tennis players born just under two months apart 35 years ago: Serena Williams and Roger Federer.

Over the past few days, I’ve been struggling to comprehend what I watched happen in the finals at the first major of the year. Literally half a world away[1], four tennis players on the wrong side of 30[2] survived tough draws, lucky breaks, stunning upsets and injury scares to reach a pair of Grand Slam finals which would’ve appeared unremarkable a decade ago but which, in 2017, were downright anachronistic.

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Photograph:A painting shows George Washington giving a speech on the day he became president in 1789.

Tompkins Harrison Matteson/Library of Congress

In theory, democracy is a relatively emotionally detached system, a utilitarian tool for selection based on preference which, at its conclusion, yields the most popular choice for a given role. In practice, of course, it isn’t so simple, as voting methods and the different weights assigned to certain swaths of the voting populace tend to skew results one way or another.

All of this is entry-level political science; you certainly don’t need anyone reminding you of the way things are, especially on this of all days. It seems overly simplistic to just say that sometimes things don’t break the way they should, the way most people think they should, but then, it becomes hard to explain other voters’ tendencies[1] without reverting to childish name-calling and inflammatory rhetoric.

On Thursday, the NBA announced the starters for this year’s All-Star Game. Russell Westbrook, currently leading the league in scoring while averaging a triple-double, was not among them.

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Photo courtesy of the author, in the shadow of Nino Heroe Manuel Bonilla in Miraflores

In the work of literature to which I return most frequently, Eduardo Galeano writes, “There is nothing less empty than an empty stadium. There is nothing less mute than the stands bereft of people.”

He goes on to describe the sounds of games past, the echoes of Wembley from ’66 or the Camp Nou at any time when you’re unfortunate enough to miss Messi’s magic in real time, but he could have just as easily been describing any of the myriad pickup games that my oldest, not older, brother and I saw happening in Lima on and around Christmas, the holiday season be damned for anything but an occasion on which to kick around. People certainly invoke God enough to demand some time, after all.

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