Courtesy ESPN
Hello. What follows below the break is the climactic ending to the first Godfather film, but as an NBA basketball team.
Lift Your Skinny Fists Like Antennas to Heaven
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Gates of Eden
You could almost sense it. A distant, long-forgotten feeling, far off on the horizon, was turning a black sky a deep shade of purple that, no matter how profoundly dark it remained, was nevertheless definitively lighter than before. At some point, it would shed its opacity and reveal itself, hope, in all its shining, youth-invoking glory. Its vessel? A 7’3” Latvian who could do things that no basketball court had ever seen.
Then, of course, came the reckoning, which every Knicks fan, and every basketball fan familiar with the Knicks franchise, should have expected. The purple faded back to black in cannonading fashion on Tuesday night against the Milwaukee Bucks, when, prior to his commandeering of Tim Hardaway Jr.’s soul, Giannis Antetokounmpo presented enough of himself in just the wrong area for Kristaps Porzingis to land awkwardly after finishing a dunk, something he has made routine, and tear his left ACL. The devil is always in the details, the wicked lying in the weeds.
Are You Not Entertained?
Photo courtesy of Sports Illustrated
I am a Detroit Pistons fan. It should be said that I am an incredibly casual Detroit Pistons fan, and while I followed the team closely during its glory years in the ’00s, these days I rarely go more in-depth than watching their (exceedingly rare) national broadcasts, checking scores and reading Andre Drummond features that occasionally cross my Twitter feed.
This is only to say that I am explicitly not someone to offer any sort of depth or nuance in my opinion of the modern NBA. I watch the later playoff rounds, and generally know which players are exceedingly good or outright trash, but any sort of in-depth knowledge I have on the league predates Steph Curry’s time in the league. When it comes to watching pro basketball, I am all feeling and no head these days.
All That Glitters Is Not Gold
After I saw the 2018 Album of the Year Grammy nominees, I told myself that I wouldn’t be mad if any of the artists nominated won the highly coveted award. There were no glaring insults to the culture-at-large, à la Beck or Mumford & Sons. There was Bruno Mars, Lorde, Jay-Z, Childish Gambino and, of course, Kendrick Lamar. All of these artists released albums that seeped through popular culture (though you could argue that the extent of Lorde’s and Childish Gambino’s impacts was less pronounced than the other three nominees).
Despite having a lineup of albums that had their valid arguments and did not seem personally imported into the category by John Lennon impersonator and Recording Academy president Neil Portnow, the final win for Bruno Mars’ resounding coronation changed my earlier assertion that I would not fault the Grammys for awarding something like 24K Magic for Album of the Year. The more I began to reflect on Bruno’s win and what it meant, the more I began to question why we should even pay attention.
Boogie, Down
Courtesy of Sean Gardner/Getty Images
I was in the midst of enjoying the end to a rare blowout victory by the New York Knicks over the Phoenix Suns on Friday night when a studio update, or some equivalent thereof, passed along the news, complete with accompanying video: DeMarcus Cousins had sustained some grave leg injury. Soon thereafter, ESPN’s Adrian Wojnarowski confirmed the worst: that Cousins had torn his Achilles tendon and would miss 6-10 months, ending his season and raising questions aplenty for the present and future of his current team, the New Orleans Pelicans.
The film was predictably mundane, the perennial All-Star having gone to contest a rebound on his own missed foul shot against Trevor Ariza before crumbling to the floor. No gruesome, Gordon Hayward/Paul George/Kevin Ware-esque action, nor anything you would notice without the assistance of slow motion replay, struck Cousins, yet there he was, on the floor of an arena full of fans that had embraced him wholeheartedly since arriving from Sacramento during the All-Star break last year. They may have wished him their final farewell on Friday night, prematurely and unexpectedly.
The Hands That Feed
Robert Hanashiro – USA TODAY Sports
Let me begin by saying this, a sequence of phrases I never expected to type or read sequentially: this Martin Luther King Day will live in NBA Twitter infamy for the foreseeable future. It may rival Banana Boat Day as *the* definitive day in the cultural zeitgeist for many fans, being that it involved several more teams, as well as more star players, than that one did.
In a perfect reflection of its time, Monday was such an unabashedly ridiculous day that a few otherwise newsworthy headlines – Kyle Lowry challenging Ben Simmons to a fight; Russell Westbrook receiving an undeserving ejection before Carmelo Anthony defends him; the Hawks closing out on their (former) spiritual predecessors, the San Antonio Spurs; a second-tier Eastern Conference rivalry-in-the-making getting outstanding games from nearly all of its stars as the Bucks beat the Wizards; Memphis’ push to instill hope in Marc Gasol; Victor Oladipo’s revenge tour rolling over Utah; the Hornets winning a game(!); Cleveland literally shutting the hot water off on the preeminent team in the league, prompting Kevin Durant to call upon LeBron (the true owner) to fix things; the Knicks actually closing out a game over a winnable opponent – will get lost to history. No matter. The Houston Rockets and Los Angeles Clippers provided the kind of New York Post-worthy insanity to which only would-be kings and Kardashians aspire.
Fire and Fury: The TwH 2017/18 Megathread
Graphic by Brian Kraker
Because 2016 wasn’t enough, 2017 has gone out of its way to escape its predecessor’s shadow and destroy the boundaries for how gratifyingly repugnant a single calendar year can be. Each day was a test of psychological fortitude on the parts of literally billions of people around this flat earth of ours, which somehow has yet to file for emancipation from us. For every second chance, we deliver a second disappointment, and a third, and a fourth, and–
Has the constant stream of threats, misguided anger, choose-your-own-isms and quasi-political figures you’re supposed to remember yet immediately forget driven you directly to the doctor’s office? Better there than to stay and wait for the robots to replace you, anyway.
We all have a thousand brilliant lies for the question, “How are you?” The better question, as we turn the corner with a glaring snarl, ’17 going on ’18, may very well be: Are you having fun yet?
Fique Tranquilo
Photo courtesy of Reuters
Quick, off the top of your head: who was the last player not named Cristiano Ronaldo or Lionel Messi to win the Ballon d’Or? It has literally been a decade, for starters. It’s a period of shared dominance so lengthy that the award itself has changed structure and name twice within that time, and yes, it is a truly enviable time to be watching soccer with these two creating magic week after week.
No matter if you didn’t come up with the answer quickly; the dichotomy of these two stars, whose orbits encapsulate seemingly the entire history of the game they have perfected in wholly contrasting styles, is so clear and sustained that you’d be forgiven for thinking the game hardly existed before them. But once upon a time, a Brazilian with flowing locks and a million-real smile was the best player in the world, sporting a combination of skill and native moxie that catapulted him to superstardom. This morning, Ricardo Izecson dos Santos Leite, better known as Kaka and as the answer to that question until further notice, announced his retirement from soccer.
An Aching Kind of Growing
Oli Scarff/Getty Images
Some things have a way of shocking you when they have no business doing so. A tyrannical figure of popular culture, bowing at the altar of truths unspoken for years, decades even, on his (always “his”) way out to pasture; an airline bumping your flight up two minutes, giving you reason to engage in cognitive dissonance between “What difference does that make?” and “Time in travel is everything”; a disgraced senator riding near-hilariously antiquated fantasies to a too-slim loss of his seat and, as far as everyone is concerned, his relevance.
While the mountains that moved to make some recent changes refused to rattle in the English Premier League to the extent that they once did for the likes of Claudio Ranieri and company, the stars keep dressing themselves up and shivering just enough for a once-beleaguered and tormented club. With its 4-0 win over Swansea City on Wednesday, Manchester City established a new record for consecutive league wins. At the center of this triumphant firestorm is one Pep Guardiola, the ex-“Next-Greatest Manager Ever” and a man of footy demons both external and internal.
Detroit Rock City
Fable of the Bear and the Bees, Marcus Gheeraerts the Younger
The last time we took a close look at Andre Drummond – collectively, you and I, because we’re in this incomparable, unprecedented mess together, as we’re reminded the instant we awake every single day – he was dominating in the archaic sense for the Detroit Pistons as a 22-year-old center, posting grotesque point and rebound totals, particularly on the offensive glass, while not paying much mind to the trends that had already begun shaping the NBA as it is today.
After his historically-hot start, Drummond cooled off, finishing that season averaging 13.8 points and 13.5 rebounds while shooting 38.9% from the free throw line. The Pistons stumbled to a 32-50 record, but at least Drummond was consistent. While big men such as Kevin Love, Chris Bosh and Anthony Davis inched farther from the paint on offense, and Draymond Green was busy redefining the very idea of what a center could be with Golden State, Drummond remained the platonic ideal of centers in bygone eras, towering boulders built to destroy purely by force.
Tuesdays With Horry 