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AP Photo/Elaine Thompson

Sixteen years of disappointment, heartbreak and anticlimax led to this moment. For every commercial featuring Brandi Chastain, the weight of the world pushing her to the ground at the very moment it lifted, there was a rumble about Abby Wambach’s training regimen, Carli Lloyd’s inconsistency or Hope Solo’s extracurricular activities. Not having won a World Cup since 1999, despite a trio of Olympic gold medals, wore on this team. They grew tired of heeding to the Germanys and Japans of the world in its most important tournament, and a shaky start did not bode well for the Americans.

When they needed to get it together in a time of dire need, however, where they so often had misstepped on the biggest stage, the U.S. women delivered a barrage of cannonading blows, exorcising demons and returning their country to a once and present glory.

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Bear surprise

On Wednesday, FC Porto, last year’s third-place Portuguese club who only made it into the UEFA Champions League by virtue of the Play-off round, beat reigning Bundesliga kings Bayern Munich, with noted machinist Pep Guardiola at the managerial helm. The German giants had lost only three games all season coming into the match, depending on when you started counting, and looked poised to similarly dismantle the ostensibly outmatched Porto. But a funny thing happened on the way to the semi-final.

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Courtesy of dailymail.co.uk

Courtesy of dailymail.co.uk

When he was 21 years old, a Minnesotan under the pseudonym Bob Dylan recorded his breakthrough album, The Freewheelin’ Bob Dylan. On it, he displayed a full cultural fluency with American traditional folk music and the lifestyles of those who inspired and created it, though his brand came with a unique twist upon which he would expand with subsequent releases. Many music critics believe that his three-album run of Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde from 1964-’66 is among the finest eras of creative output produced at the hand of any single artist. His antagonistic attitude toward the media and the fans who turned against him fueled the rage which would revolutionize popular music over the course of the 1960s and ’70s. Some may disagree with his sensibilities and style, but it is impossible to discredit his impact.

By the time he was the same age, Bobby Fischer had recorded the only perfect score in the history of the U.S. National Chess Championship, striding into an impressive prime. A stunning rise in the chess world would see him become an American hero upon beating the Soviet Boris Spassky for the World Championship in 1972. He was already hinting at the unhinged tendencies which would eventually force his withdrawal from the public eye at the height of the Cold War before re-emerging as a hate-spewing shell of his former self.

Fans of Liverpool F.C. hope to see a similar prime from an exceptionally polarizing new signing. Mario Balotelli is equal parts Bob Dylan and Bobby Fischer, brilliant and maddening in complementary doses.

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Neymar23

A magnificently threaded through-ball eludes four nearby defenders to find, all alone in the opposing box, the world’s best soccer player, who dances with his mistress for a moment long enough to attract the attention of an entire defense, along with the world. A shot on goal ricochets under the goalkeeper, whose effort provided only the briefest moment of respite preceding the inevitable. A trailing teammate, a regular on the B squad, tracks the ball and slots it into the back of an empty net, winning the game for his dominant side at an abnormally late time.

This was the scene in Sunday’s match between FC Barcelona and Villarreal. For the Catalans, these moments are a dime a dozen. With Lionel Messi, all is possible except for failure, which is a distinct and unacceptable impossibility. My adulation for him, at this point, goes without saying. In this case, the focus belongs to the other two players involved in the movement, Brazil’s fallen hero Neymar, the catalyst, and the Barça B wunderkind Sandro Ramírez, who scored the goal, his first ever for the senior side and in his first La Liga appearance. At just 22 and nineteen years of age, respectively, these two (literally, at times) have the world at their feet, leaving the rest of us to admire immortality and ponder its antithesis.

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The jumbotron at Bank of America Stadium flashed to a crowd scene in the middle of the match. Once people realized they were on the massive, newly built video screen, they flashed their Liverpool and AC Milan paraphernalia. One man, wearing a black polo and white pants, decided to take the opportunity to take his hat off to show the insignia that was on it’s side. It was an image associated with the other kind of football.

“Steelers?!” A child behind me screamed in disgust. “Doesn’t he know this is a football game?”

Where the hell am I?

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a_nice_place_to_visit_still

Think, if you will for a moment, of your country’s wildest sporting dream. For Canadians, a gold medal in hockey might be just the accessory to go with all that maple syrup. In Australia, winning the Rugby World Cup over rivals New Zealand and South Africa is a source of pride for locals. The people of the United States find it best to rest laurels on domestic competitions, only really getting involved externally if their nation happens to be exerting dominance as a sort of athletic manifest destiny. Regardless of the means, people love putting stock in competition because they believe the payoff far outweighs potential letdowns. It is fun to concoct scenarios, however unlikely, in which your team defies all the odds to win. Be careful what you wish for, however. Living vicariously means dying vicariously, and the only resting place for most is a grave on the world’s most visible stage – the FIFA World Cup.

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The setting for the World Cup’s final scene

Thread count – high

Commission – high 

Hourly rates – high

a minute of your time? forget about it

The line above is from Parquet Courts’ “Master of My Craft,” the first song from their “formal” 2012 debut, Light Up Gold. The song is a smart ass take on why anyone in their position cannot be bothered by street teams trying to peddle political ideology or social change via flyers and “quick surveys.” I know what it’s like to be in their position. Four years ago, I was also stoned, starving and making my way down M Street in Georgetown as the know-it-all with a grand, post-grad scheme. On our way back to the student apartments, we were approached by a young woman who, like one of the antagonists from Parquet Courts’ ode to slackerism, was carrying a clipboard and a pile of paper. “Wanna know what’s sexy?” she asked, her question simultaneously rhetorical and seductive. “Politics,” she said, as she handed me an informational slip from a non-profit I didn’t care to remember. A trash can was nearby. “No,” I chuckled with my friends as I balled the piece of paper up and crammed it into the trash can sitting within earshot of the young woman and her fellow street teamers. This was the same summer that I also shrugged my shoulders with the same passive indifference at the USMNT’s loss to Ghana. “Well, at least we have more money than their country,” I said reductively and offensively as I walked away from the Black Stars’ celebration. I gave soccer all the thought and consideration that I gave the woman’s curbside elevator pitch about her organization’s efforts.

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Tim+Howard+USA+v+Portugal+Group+G+2014+FIFA+iDqCtKEDtjcl And just like that, another American dream ends painfully at the feet of Belgium. Years of preparation and tough decisions, not without controversy, went into the U.S. Men’s National Team’s run into the knockout stages, an arduous and heart-pounding journey from the depths of the Group of Death and through the Amazonian rain forest. Landon Donovan was nowhere to be found. Jozy Altidore became an ineffectual cheerleader, for all intents and purposes. Michael Bradley commanded the midfield with the force of a dead battery and held possession in a way which undoubtedly made several Spaniards blush, but who were they to judge?

Tim Howard was brilliant. Clint Dempsey embodied the American ethos, playing through a broken nose and exhaustion. Jermaine Jones struck every ball with passion and unparalleled intensity. Matt Besler fearlessly stood tall against some of the world’s best strikers. This team, for all its follies and missed opportunities, represented its country perhaps more closely than any other at this World Cup. This was truly an American team, despite (or because of, depending on your disposition) all the talk of German-Americans and under-the-table deals preceding Jurgen Klinsmann’s first major tournament on a world stage. Victory again eluded the U.S., but that wasn’t really the goal anyway.

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Tim Howard, a portrait

Tim Howard, a portrait

The 2014 FIFA World Cup is here, and I have a novice’s degree of knowledge as to what’s happening, as well as a small amount of sentimentality for the event. This is me traversing through work, drunken weekends, and Spotify with the World Cup either in the fore or background

Monday, June 30th

I wasn’t really interested in how France – Nigeria, or Algeria versus Germany for that matter, was going to play out. It seemed inconceivable to think that the two African teams would be able to put up a fight against two European powers that were at the top of their rank. So I ignored the matches, which were mostly scoreless affairs until the final minutes. There were plenty of moments when Karim Benzema and Thomas Müller could have knocked in shots to put their opponents in utter despair but some cosmic force was unwilling to give these two teams an easy victory. France would ultimately run away with the game in the final minutes while Germany required extra time in order to advance. Based on both performances, I would say that both teams acted a little entitled throughout the entirety. It would have been interesting if Nigeria and Algeria would have scored, and I wasn’t in the middle of closing financial reports, but, alas, such is life.

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