Archive

Rock

The very first sound anyone hears on the Band’s debut LP Music From Big Pink is that of an organ, melancholically ascending ahead of introducing the other instruments and Richard Manuel’s voice, a kind of knock on the front door from an old friend. It’s sad and haunting, familiar and forlorn, an extension of Bob Dylan’s “wild, thin mercury” sound of Blonde On Blonde

“Tears of Rage” opens Big Pink, having traversed from a slow folk grind in Dylan’s hands on The Basement Tapes to a steady, driving lament. Behind the organ was the oldest and last remaining member of the Band, Garth Hudson, who passed away in his sleep on Tuesday morning in Woodstock at 87. 

Read More

One thing that you need to know about my viewing of A Complete Unknown was that I saw it with a couple of coworkers from college work-study in the heart of Times Square on Christmas Day. Later on that night, I ate some of the best risotto I’ve ever had at the home of a separate college friend from the same job in Astoria. It was a normal day, before I rung the fallout shelter bell.

Read More

The first time I got an inkling it had gone right, not left, was when a woman cloaked head to toe in MAGA gear boarded the bus on my ride home. I’ll leave aside the notable aspect that this was a bus in downtown Chicago after 11 at night: Sat alone all the way up front, I happened to notice over her shoulder from rows back that she was glued to her phone watching a map of projections that had the country awash in red. At such a remove and with my eyesight not exactly up to the task, it was impossible for me to tell which channel she was streaming, but to make the rest of my long ride home from Thalia Hall less mentally taxing — and taking in some very conspicuous context clues — I figured it was Newsmax.

Read More

Disclosure: I’ve spent an inordinate amount of time around men directly related to each other recently. To that point, in three out of four recent weekends, I was surrounded by brothers, including my own. I’ve always enjoyed feeding off the fraternal vibe, yet I went to a college without Greek life. The camaraderie, the internal knowledge, the handoffs one can only perform with a certain degree of intimacy: this is what gets me.

From back-to-back bachelor parties through, of all things, a Phish festival, the brotherly tone has been a strong presence for me recently. And then, lo and behold: rumors of an Oasis reunion began haunting my phone on a recent Saturday.

Read More

I didn’t ask for a Les Paul[1] for my birthday one year because of Eric Clapton; I did it because of Jimmy Page, who by 1973 had become all of Rock Music, as far as what most of the U.S. and England – therefore, most of the popular rock music world at the time – had accepted and acknowledged should be. Page maximized what a Les Paul guitar could sound like and expanded that context further than its namesake, an incendiary jazz player in his own right, likely imagined.

I don’t know that my request happens, though, without Clapton’s playing on what is probably the definitive British blues record of that time, in a period when British blues is reviving American blues sensibilities.

The Beatles, the Stones, the Kinks, among others, witnessed it all and drew from it. “It,” in this case, is John Mayall’s Bluesbreakers. Mayall himself, a Macclesfield native son whose stretch we may not completely realize, died on Tuesday at 90, leaving an influence that extends at least as far as Cream and Fleetwood Mac.

Read More

“You’re still there, huh? We’re gonna do one more song, and that’s it.” His golden, overdriven guitar tone[1] was perfect. He’d already bettered Dylan in some respects; why not trying out Marvin at something way after midnight?

There’s a thing about certain Canadians (two’s a company; three’s a crowd; more: that’s a trend), A few tend to write better songs about the United States than Americans can. Familiarity breeds contempt, or something like it, but from pastoral documentation, à la Neil Young[2] and Joni Mitchell, to the psychodramaticism of The Weeknd and poptimism of Carly Rae Jepsen, some friends from The North hold the mirror up to Americans better than we can do unto ourselves. 

You wanted a hit? Baby, maybe, he just did hits: “The Weight,” “Up On Cripple Creek,” and “The Night They Drove Old Dixie Down” fit the bill. Having backed The Hawk, Ronnie Hawkins, and then Bob Dylan, Jaime Royal Robertson, who died on Wednesday at 80, ran the gamut of roles in early rock bands. Later, he’d end up having to try to save his bandmates, and then himself. He knew how to get the best out of those around him, when the bells were ringing.

Read More
Burial - Electronic Music of Brainvoyager

Burial’s seminal Untrue was released 14 years and just about a month ago. This is not a round figure, and this is not a timely commemoration of an album’s release date. Instead, I merely wanted to submit my humble meditation on one of my favorite albums of all time and what it means to me personally.

Isn’t it kind of always on-brand to write about Burial’s music whenever the hell the impetus strikes? Fitting, because this seems to be the same approach that Burial takes in releasing his work to the public. I have no other reason for writing about Burial’s Untrue beyond an experience that I recently had listening to the album in its entirety that was nothing but otherworldly.

Read More

On Thursday night, Conan O’Brien hosted what he has said would be his final late-night television episode, on his last late-night television program. He began on TV as a largely unknown 30-year-old in 1993 with exactly the kind of pedigree you would’ve expected then: Harvard-taught, an alumnus of both The Simpsons and Saturday Night Live, an advocate for the weird and disruptive trends emerging in comedy to which, despite him being an Irish-Catholic Massachusetts native, he had a singular pulse.

My introduction to Conan’s work was via Late Night With Conan O’Brien, the show he hosted as the wedge between his beloved Johnny Carson and Jay Leno and which was repurposed as a day-after lead-in to The Daily Show on Comedy Central for a while. When it came time for Conan[1] to assume his seat at the top of NBC’s hierarchy, it suffered from poor ratings and a shift back to late-night along with the Tonight Show name, which Conan would fundamentally not accept. A back-and-forth ensued, and Conan eventually ceded the seat, leaving us bereft of him for a time while he popped up on tour and at music festivals – more on that later.

I understand that his is mainly a slightly-older generation of an audience, the tweeners that both lived to experience Nevermind in real time, cognizant of it or not, and also know how to navigate social media without sparking fights at a dinner table, but my friends and I – white and well-off-ish enough as we were – liked Conan better than any of the others mostly because we never knew what to expect.

Below is a list, mostly off the top of my head, of my personal favorite Conan segments, recurring and otherwise. I know this isn’t the end, but HBOMax’s app is horrendous, and anyway, it isn’t as widely accessible as he has been for thirty years otherwise. Conan, we only wish you well, as you ever wished us.

Read More

Everything slips away, eventually. We have lost so much in 2020 that it’s hard to begin to comprehend it just yet. We might never get there. From the as-yet nearly two million deaths related to COVID-19 to the related job losses to the very idea of truth in a truthiness-saturated world, we are collectively losing many more things, and they are losing us, at a much faster rate than any of us living have ever experienced.

Something leaving us at precisely the same rate as it always has, however, is time. An unhuman entity forced us into our homes and away from our loved ones for long stretches; for once, it seemed, there was a problem that throwing federal government-level amounts of money wouldn’t fix[1]. Most of us were forced to adapt; some didn’t, and died; others did, and died anyway. Time kept on slipping, in all its finite utility.

Under the circumstances, and with nowhere to go, it was up to us to spend a lot of time with ourselves. Election-year news cycles are Ringling Brothers productions gone awry in normal times, but taking in the news, even in the simple pursuit of attempting to stay anything like informed, was an especially depressing exercise in 2020.

Read More

Ever meet someone who’s really into a specific kind of furniture? I don’t mean the workaday influencer wannabe with a midcentury modern fetish or your friend who parrots pages from the latest Dwell, I’m talking lifers who while away hours trading Eames tables on eBay or people who can point out the choicest character lines of a Sauder desk drawer from across a crowded room. You know they’re out there somewhere, of course, but until you meet one, it might be difficult to grasp just how far down this (ultimately very practical) rabbit hole it’s possible to go.

I thought I knew tables and chairs pretty well. I’ve sat in plenty of different office chairs and even voted on one as part of a company initiative (my pick did not prevail). I’ve soaked up nuances simply by living with them. But I was wrong. I do not know tables and chairs. Scott does.

Read More