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Tag Archives: Quavo

Last night, LeBron James willed the Cleveland Cavaliers to a Finals victory over a vastly superior team in the Golden State Warriors. It was an incredible feat, and it seems less believable the more I think about it. The Cavs have some real talent, but there are also some absolute clowns on that roster, and some of those clowns played minutes late in the fourth quarter of Game 7.

This led me to compare the team to Kanye West’s GOOD Music label, which just released an absurdly fun posse cut called “Champions” that might be just perfect for this moment because of the title and the fact that GOOD Music has plenty of clowns that play in crunch time, too. I think both rap music and basketball benefit from strong personalities. The individuals drive most of the conversation, at the least. That made this string of analogies fun to write, even if they are ridiculous and admittedly completely pointless.

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There’s been a lot of print dedicated to telling people that Chance the Rapper will be a featured player on Surf rather than the star. That hasn’t stopped some critics of the surprise, free release (!) from griping about how the whole product isn’t a definitive showcase for Chance’s singular Bugs Bunny-as-Edward G. Robinson style. To be sure, Chance is on the record, but his rapping is as it was advertised in the press: a featured player.

His rapping serves more as an additional instrument to the lush jazz production that defines Surf. If anything, he’s just a necessary link to the relative unknowns in the Social Experiment as well as the “We are the World” ensemble of guest stars. The true star is the horn of Donnie Trumpet which pierces, zips and buoys its way through 52 minutes of a long, strange, wonderful trip.

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