At any moment, we look upon the cultural objects not only as a reflection of our times but as a platform for expression. The musician yearns through her melodies and counter melodies; the novelist writes drunk, edits sober and broods regardless; the designer draws upon prevailing interests and toes the various lines of high, middle and low brow before settling in a space of his own. Always, it is a manifestation of the present moment, the beholder not bothering to look for beauty so much as to shoulder ugliness and make it something you can stand for more than a few seconds at a time.
In the twenty years since the 1998 FIFA World Cup, soccer, like this planet, has undergone monumental, identity-shifting changes that have placated the bored masses while at turns enthralling, inspiring and enraging the truly devout, left searching for hope amidst seas of anger and ultimately meaningless Arsenal Champions League berths. Both have inspired roughly the same number of divisive, cynical thoughts for the digital age, compressed and condensed for your basura attention span.
And yet, when the chickens come to roost, we know – or, at least, think we know – the name of the game, and whatever means we utilize to achieve our ends end up being enough to justify those ends. On Sunday, in plain sight of corrupt world dignitaries, oligarchs and protesters, as well as many millions of people who actually wanted to see the game play out for its own sake, France defeated Croatia 4-2 in the World Cup Final.