Over a week later, the question everyone was asking before the playoffs is now one that continues to lurk: what becomes of these Brooklyn Nets? Steve Nash’s team has lit itself aflame once again, but who threw the match? They, of the highly touted scoring tandem, once briefly of a threatening trifecta that no team could think about stopping, could shudder? They could seek fate?
A 116-112 Boston Celtics win on Monday night sent the Nets packing. While they were busy making love with their egos, Ime Udoka was leading his continually resurgent squad to a sweep over a team many once considered to be NBA Finals favorites. It’s worth asking of this iteration of the team: do they seek fate, or does fate become them?
After all of that, Kevin Durant managed to play nine games with the Brooklyn Nets, only six of them alongside Kyrie Irving, before that team acquired another All-Star Wednesday afternoon. Joining Durant, Irving and DeAndre Jordan, the latter of whom Jarrett Allen had finally supplanted as the Nets’ starting center this season prior to the trade, will be one James Harden, Durant’s ex-teammate, the 2018 MVP and a revolutionary offensive genius.
Of course, Harden has become as confounding a teammate as he is an actual basketball player, and his uneasy exit from Houston begs many questions, not the least for which because of the destination. The ever-prickly Durant is playing at an MVP level; Irving is essentially AWOL; Harden openly ripped the Rockets organization Tuesday night, all but forcing his team’s hand. Now, those three find themselves together, apparently at their communal behest.
Free agency in professional sports, in its ideal form, is the best and most prominent example of the free market at work that exists in this country. A worker earns their keep; their employer either decides that they are or are not worth the trouble, and then there are suitors everywhere lining up to give that person their just deserts. It’s deceptively simple.
Yet – and that word does a percentage of the salary cap’s worth of lifting here – it is much more deceptive than simple. The salary cap itself is one measure of inequality-via-equality; were LeBron James ever paid as much as he deserved in his career, he would likely be rivaling Gaius Appuleius Diocles at this point. Alas, at least in salary-capped leagues, the reality is thus: make what you can of what you have, and be judicious with your forecasts. A tornado doesn’t have to spring up to be destructive; if it gets you to move, it’s done enough of its job.
At a time reported to be 7:30 pm Eastern but which will probably be sometime shortly thereafter, the 2019 NBA Draft will begin tonight. That means that, for the devoted, a tweet, or text of a tweet, from Adrian Wojnarowski will pop across their phone screens, sometime between 7:28 and 7:30, informing the masses what we’ve all known since before the Anthony Davis trade, before the All-Star Game, before Christmas: that Zion Williamson of Duke will be the #1 overall pick.
That he is presumably going to New Orleans is the karmic injustice befitting a team that wasted Davis’ first seven years in the league but which new general manager David Griffin is already turning toward the future. If Zion happens to be the key to open that particular sarcophagus, alongside the newly-acquired Lakers tweens, then the Pelicans will be raising hurricanes, toasting the next decade of success.
If he’s caught in the right place at the wrong time, however, then the draft gods will have proven infallible once again. That’s the beauty and sorrow of any professional sports draft, but this year, and this one, feels especially momentous.
I’m not so much scared as just, well, on notice. Who knows what could happen? At any time, somebody may think more of you than everybody else, and then you’re onto a new journey, full of promise, confidence and relative autonomy. Conversely, though, maybe somebody decides you’re worth less than that, and you end up an errand person, subsisting on coffee and nodding your way through days that are no more notable than others as you try to take stock of who you are, where you are and how you can change one or both of those things.
Has it ever occurred to you just why you look at your phone so much? Starting from the premise that nobody on Twitter is actually that funny, so – Let me backtrack. Maybe you don’t check it that much, and if not, more power to you. It might be a performative power play on your part, but even in that case, you’re doing better than Rob in accounting and the New Orleans Pelicans.
On that last bit: better check your phone right now, just in case Woj has traded you from your cushy, insurance-laden desk job to a gig economy substitute that will drain your bank account as quickly as your will to live. For which, by the way, you’re working. If you’re in the NBA, today is an especially sweat-inducing time, as the trade deadline is upon us, and it has already played out as one of the most unpredictable in years.
The switch exists. I’m telling you right now because, for the second time in my life, I was lucky enough to see the man at the helm in person, and at 33 years young, he was as commanding of attention as he was in command of the game, and when he needed to, LeBron James turned the volume all the way up and told your parents to mind their Ps and Qs. Last Sunday, in Brooklyn, I saw the switch in action.
It isn’t that he isn’t great all the time – he is, and he has been for the overwhelming majority of his breathlessly Hall of Fame career – but to watch him have to be, with his still-gelling team nervously jetting and firing around him in an effort to show that yes, we’re good enough, please stay, adds another layer to an almost unquantifiable NBA experience.
Let me begin by saying this, a sequence of phrases I never expected to type or read sequentially: this Martin Luther King Day will live in NBA Twitter infamy for the foreseeable future. It may rival Banana Boat Day as *the* definitive day in the cultural zeitgeist for many fans, being that it involved several more teams, as well as more star players, than that one did.
For a moment, I beg of you to try and envision yourself as Kyrie Irving, in several stages of his life. You’ve got perhaps the best handles in the history of basketball, routinely curling camels through needles’ eyes for fun as you lampoon your beguiled opponent before an adoring crowd, which screams at you to end the procession and join your only true love, the basket, in eternal harmony. They recognize you from Sprite commercials; you recognize them from the hordes of people shielding their eyes, but peeking through, as you did this in your youth to many nameless foes in the neighborhood, on schoolyard courts and in parks near and far.
One minute, it’s 2016, and you’ve hit The Shot™, solidifying your immortality, both in the annals of professional basketball and to Clevelanders everywhere. The next minute, it’s 2017, and you’re requesting a trade out of the city that drafted you, that crafted you, that created a media megalith despite its decidedly Middle America setting. If the preceding period is any indication, twelve months is enough to change anything, least of all the presumption that a team owns an entire conference because of one man. You are not that man, but you strive to be. And now, you need to be.
“One man. One bus. Three hundred and sixty miles of simulated post-apocalyptic desert, and the endless struggle between man and nature personified.”
So begins the description of the iTunes version of Desert Bus, a minigame which originated on Sega and the PC within the world of Penn & Teller’s Smoke and Mirrors and which has been hailed by some, including The New Yorker, as “the very worst video game ever created.” It is a testament to futility, yet one which allows for the possibility, however minimal and cockamamie, of victory. Drive the distance from Tucson to Las Vegas, in painstaking real time and with the bus constantly swerving just so to the right, and be rewarded with a single, solitary point. The game cannot be paused.
The metaphor you likely saw coming: LeBron James is the driver of this bus. Each game of these Finals is likely to be his own, personal trek to Las Vegas on behalf of a nation that unwittingly bought a ticket. We’re all aboard for the rubber match of a rivalry that is set to define this revolutionary half-decade of NBA basketball, a handful of years which will determine the course of the league, and its game, for a long while. But first, of course, must come the unmanageable task of the series itself.
Click here for an enlarged version of the above photo; you’re gonna need it.
Though they actually began on August 3rd with several group stage soccer matches, the Olympics spring to life in the hearts of most with today’s opening ceremony. Working with a budget of roughly £3 million, a tenth of what the 2012 opening ceremony in London cost, a nation ill-equipped to host an Olympics is going to go full-throttle into it anyway, featuring such Brazilian luminaries as Gisele Bundchen and Dame Judi Dench in the Maracana, where the Olympic cauldron will receive the Flame. Much has already been made of the ethical and economic implications of these Olympics, and more awaits. Either way, they’re here now, so we may as well do our best to embrace them.
The U.S. figures to play a prominent role in most competitions, with swimming, gymnastics and track and field being among the most noteworthy. Basketball, also, is notable, though most have written off the tournament as one in which every country aside from the United States is battling for second. That seems reasonable; this country would be loath to repeat a disaster like what happened in Athens in 2004. To mark the Games, 2K Sports has released an Olympic team available for play, not unlike when they did so in 2012 with the Dream and Redeem Teams. So, sure, the real-life versions of these NBA stars are extremely likely to bring home the gold. The NBA2K equivalents pictured above, however, seem bound for much dimmer pastures.