In a manner of speaking, anyway. We like hearing about troubling things, acknowledging them in our own ways (“Jackass” or “Ah, damn,” usually) and moving on as soon as the tribute spot on the television allows us. 

If you had the remote in your hands, you would want to bypass that, but – oh, dear! Sorry – the sponsors paid for guaranteed placement during the primetime slot, which means you have to sit through it. What was that person’s name again, and what happened to them?

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(No, let’s not talk about the Clippers at this time. Thank you for your support and consideration.)

As we all knew years-plural ahead of time, Victor Wembenyama went number one overall in the first round of this year’s NBA draft. By providence, perhaps, the San Antonio Spurs drew the number one pick in a year when a generational center was available, just as they had in 1989 with David Robinson and in 1997 with Tim Duncan.

It was the inevitability that drove the madness: a little over two years ago, it was the Scoot and Vic show. Two seasons and one nationally-televised game pitting the G League Ignite development team against Big Vic’s Paris-based Metropolitans 92 later, and Victor was the clear-cut number one.

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Welcome back. Depending on how you count the attempt at satire written in the midst of an early life crisis in 2014, and with apologies to the time in between the 2019-’20 season and 2020-’21 – spacing more questionable than the 2013-’14 Knicks, incidentally, but with a much more logical explanation – this is the tenth time we’ll be previewing every NBA team, so for those of you here from the jump, I must express some measure of appreciation.

A reminder, and a reintroduction: if you don’t know but you’ve been here this long, Robert Horry’s name is pronounced with a silent-H (‘Orry). His name is his name. He has more rings than Jordan, if that’s your thing, and he hit several of the most important shots in league history, with apologies only via volume in both directions to Kings fans and the Kyrie hive. 

Getting back to the point: you heard about him for years in the French leagues too, right? And even before that? Ah, so you saw what his wingspan could end up being? Not unlike the Burger King jingle that mutates each fortnight but remains an earsore in every iteration, the midseason tournament is coming for all of us: growth is the only mindset.

Watch your own fire burn as mine does. A model like yours? Nothing better. Just you wait and see:

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Enough of it felt troubled, if not necessarily doomed, from the start, that this isn’t unexpected. A superteam! In New York! Even if the term became irrelevant almost as soon as it entered the public consciousness, we felt reasonably confident deeming what the New York Liberty were coming into the 2023 season as something like that. Granted, no less an authority on women than Derrick Rose has mentioned superteams before, regarding one of the men’s teams based in New York City; Oppenheimer had colitis, but at least he just wrote to his brother about it rather than to the New York press.

When the final possession of the WNBA season sputtered out, a reasonably well-drawn up ATO play from New York’s head coach Sandy Brondello that took just a beat or two too long before it went awry, and that was that. Once again, the Las Vegas Aces are the champions, the first repeat title winners since Lisa Leslie and the Los Angeles Sparks upended – whom else? – the New York Liberty, featuring – whom else? – current Aces head coach Becky Hammon.

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It tracks that the last song Jimmy Buffett ever played before a live audience was the one on which he built his empire of relaxation: “Margaritaville,” a final salvo over this past July 4th weekend as a surprise guest of Mac McAnally, long a member of Buffett’s Coral Reefer band. Not unlike Prince exiting the stage following “Purple Rain,” or Tom Petty’s last performance ending with “American Girl,” there is something to going out on exactly the tune that laid the path for the rest.

Buffett, who passed away September 1st at the age of 76, defined the idea of getting away, however briefly. When a disgruntled coworker hits the bottle in the early afternoon, justifying it with the requisite “It’s five o’clock somewhere,” that’s a credit to the lifestyle Buffett envisioned for himself and sold at massive scale.

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An approachable, non-violent civil war always serves as a nice backdrop to a tennis match: think Sabarenka-Azarenza in 2019, or Wawrinka-Federer in Australia in 2017. For a moment there, we could’ve been talked into an incredible upset from one countryman to another, one of the late-night stunners that occasionally resonate into conversations about legacy and impact.

But Novak hit the switch in the third round of the US Open, and he never looked back. This is LeBron in 2018: penetrable, but incredibly dangerous when he commits to it. Realizing he was in something approaching trouble down two sets to none, Djokovic simply decided to win.

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“You’re still there, huh? We’re gonna do one more song, and that’s it.” His golden, overdriven guitar tone[1] was perfect. He’d already bettered Dylan in some respects; why not trying out Marvin at something way after midnight?

There’s a thing about certain Canadians (two’s a company; three’s a crowd; more: that’s a trend), A few tend to write better songs about the United States than Americans can. Familiarity breeds contempt, or something like it, but from pastoral documentation, à la Neil Young[2] and Joni Mitchell, to the psychodramaticism of The Weeknd and poptimism of Carly Rae Jepsen, some friends from The North hold the mirror up to Americans better than we can do unto ourselves. 

You wanted a hit? Baby, maybe, he just did hits: “The Weight,” “Up On Cripple Creek,” and “The Night They Drove Old Dixie Down” fit the bill. Having backed The Hawk, Ronnie Hawkins, and then Bob Dylan, Jaime Royal Robertson, who died on Wednesday at 80, ran the gamut of roles in early rock bands. Later, he’d end up having to try to save his bandmates, and then himself. He knew how to get the best out of those around him, when the bells were ringing.

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I. On the Ground

It was like watching someone at a party explain why William Gaddis is great. Under that famously strong Dutch sunshine (said no one ever), Pecco Bagnaia again justified the common wisdom of what’s increasingly felt like a foreordained second MotoGP championship by controlling his second premier class Dutch TT victory from the front. It’s easy to see in hindsight how he drew in Marco Bezzecchi — the only other rider with a serious chance of beating him — just close enough before pouncing on Brad Binder and leaving Binder as a roadblock for Bezzecchi to deal with while he gapped them both; hell, it was easy to see in real time. We already knew the guy liked the place (a tattoo of the circuit layout on his arm in honor of his first win aboard a Moto3 Mahindra back in 2016 gives that away), but this one felt textbook to the point that merely seeing the result suffices.

Ever read J R and then try to talk about it with other people? That thing’s the sort of tedious masochism people will just yes you to death over because they don’t want to read it themselves, but also: They don’t really believe you because how could a book about a middle schooler amassing a business empire built on pennystocks told almost entirely in impenetrable dialogue be better than Lord of the Rings? It’s a boring discussion that would likely have you walking away doubting yourself because just listen to yourself.

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