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Grid Positions: A 2019 MotoGP Season Preview

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February 25, 2019
Auto Racing, Movies, Music, Politics, Pop Culture, Religion, Sports
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You have options. Before the start of every new sporting season, dedicated fans take a step back to join casual onlookers just catching up in assessing offseason developments, visualizing the year ahead, prognosticating to pass the time. There are bland press releases to read, rehearsed transcripts to read into, social media posts to pick apart. Media sources both official and otherwise get paid to distill this pile of corporate-backed bollocks into coherent season previews with scripted narratives to follow for your benefit so you can regurgitate it to uninterested parties as the smartest, least likable person in the room when the topic of conversation finally comes around. I know what these previews will say. So do you. This is the ritual.

But there are alternatives. That’s why you’re here.

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Everybody’s Got a Thing: The 2018/19 TwH Megathread

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December 31, 2018
America, Auto Racing, Basketball, Movies, Music, NBA, NFL, Olympics, Politics, Pop Culture, race, Religion, sexism, Soccer, Sports, Television
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Graphic by Brian Kraker

Another year down. Another year older, but perhaps none the wiser? Maybe that decision doesn’t belong to you alone. It felt like nothing did, most of the time. From Tide Pods to the Philly Special to countless acts of cruelty and many more of plain senselessness to the continued existence of the Golden State Warriors to having 12 years left to stop the sun to inexplicable blue lights over Astoria, everything that happened felt like it was going to happen anyway, sooner or later, and we were all left to bear it as best we could. Same as it ever was, but different.

Still: we would be equally bereft of sense to assume that darkness would drive out darkness. You may have heard that only light can do that. For all the bad and rot everywhere, urban, suburban and rural, at home and abroad, there were the moments in between that made everything we experience every day that kept us together, however briefly. If we experienced them together? All the better.

As Bootsy Collins said in 1972, “Balance is my thing/The snow, wind and rain must come.” With that, we delve into the year that was, with an eye toward the twelvemonth ahead.

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A Natural Woman

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August 17, 2018
America, Blues, Music, Politics, Pop Culture, R&B, Religion
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aretha franklin songs

Citation needed

The first time I internalized Aretha Franklin – not “heard,” because as an American growing up post-1966, you never hear her for the first time – I was playing a video game against my oldest, not older, brother, back in the relatively nascent console days when video game producers didn’t know what to do other than to license actual music to fill in gaps in gameplay.

Specifically, the first time I internalized Aretha Franklin, who passed away on Thursday at the age of 76, was during one of the marathon sessions of NFL GameDay 2000 that yours truly used to play against his older, wiser sibling. To give you an idea of how the games themselves usually went, I relied on the fake punt-pass as my go-to fourth down play, and it never worked, and the most memorable game we ever played rests on that guy using that play, my play, to beat me in the final seconds of a game in which I was already ahead. He kept a running log of this particular series, but that is neither here nor there. It’s in Chicago, if I had to guess.

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All That Glitters Is Not Gold

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January 29, 2018
America, Hip-Hip, Music, Politics, R&B
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kendrick-lamar-damn-album-cover-featured-827x620

After I saw the 2018 Album of the Year Grammy nominees, I told myself that I wouldn’t be mad if any of the artists nominated won the highly coveted award. There were no glaring insults to the culture-at-large, à la Beck or Mumford & Sons. There was Bruno Mars, Lorde, Jay-Z, Childish Gambino and, of course, Kendrick Lamar. All of these artists released albums that seeped through popular culture (though you could argue that the extent of Lorde’s and Childish Gambino’s impacts was less pronounced than the other three nominees).

Despite having a lineup of albums that had their valid arguments and did not seem personally imported into the category by John Lennon impersonator and Recording Academy president Neil Portnow, the final win for Bruno Mars’ resounding coronation changed my earlier assertion that I would not fault the Grammys for awarding something like 24K Magic for Album of the Year. The more I began to reflect on Bruno’s win and what it meant, the more I began to question why we should even pay attention.

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Taking It To The Heart

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October 3, 2017
America, Folk, Music, Rock
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Via Stereogum

A funny thing about growing up with parents ceaselessly devoted to the music they like:  after a certain point, the idea of a “soundtrack” to growing up dissipates, and you’re left with a pastiche of sounds that, without warning, can trigger any number of nostalgic thoughts years, even decades, later. You didn’t ask for this, but it’s what you got. You live with it, and eventually, hopefully, you become grateful for it.

Along with a handful of other artists, I don’t remember the first time I ever heard Tom Petty because he was always just there. Not to make an assumption on your behalf, dear reader, but I’ve got a feeling that, unlike most of the rest of them for me[1], you likely don’t remember the first time you heard Petty either. He’s always been there, for all of us, which made it all the more devastating when word officially came down late Monday night that Petty had passed away at the age of 66.

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Sitting on a Barbed Wire Fence: The TwH 2016/17 Megathread

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December 31, 2016
America, Basketball, Music, Politics, Pop Culture, race, Religion, sexism, Sports
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Brian Kraker / Tuesdays With Horry

Brian Kraker / Tuesdays With Horry

Right from the very start, 2016 stood to challenge us. From the very start, we knew it wasn’t going to be a run-of-the-mill annum, from North Korea’s interstellar aggravation to the deaths of every stranger we thought we knew, from our laughter at nationalistic shortsightedness abroad to the joke turning on us with an apolitically exhausting election cycle that, even now, seems interminable, this year has cast shadows into every corner and fear into every heart, asserting its overwhelming pessimism past the point of absurdity and into realms of dystopian ennui.

But then, light is said to shed out of darkness; without the light, we wouldn’t know dark from darker, and pitch blackness would be broad daylight. As historically low as some of the valleys insisted upon going, a great many peaks, more than we’ll care to recall, shot up with a distinctly human, distinctly empathetic vitality. 2016 was the equivalent of the Gordie Howe hat trick: a goal first, an assist next and one giant, inevitable fight, with indescribable rage having finally boiled over to manifest itself in hideousness antipathy. It is with this in mind that we at TwH look back, one final, bitter time at the insanity of the preceding twelve months, with an eye toward what society has constructed as 2017. If Earth is really dying, and if we’ve only got five years left to cry in, U better live now.

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Chimes of Freedom

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November 23, 2016
America, Blues, Folk, Music, Politics, Religion
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Let’s say, for instance, you were at the forefront of popular culture in the free world, soon to be deposed and cast to a life of relative reality. If you were to host a party celebrating, commemorating and memorializing the occasion in the United States of America, who would you invite? With a good head on your shoulders, and among your own personal favorites, you would attempt to speak to the populace, who have chosen against you in the years ahead, allocating goodwill while bracing for the impact of an unforeseen, unpredictable regime.

On Tuesday, President Barack Obama bestowed what will presumably be the final twenty Presidential Medals of Freedom of his record-setting Presidency, in which he dispensed more than any other in history. The man knows how best to leave a party, it seems. In returning to that question, who would play your societal funeral?

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“Supersonic”: How Much Do You Want It?

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October 27, 2016
Movies, Music, Pop Culture, Rock
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Getty Images

What is it that riles up the Gallagher brothers? The list of answers to that question are as extensive as the number of fans that fill the grounds at Knebworth in 1996, the framing device for the Oasis documentary Supersonic, which enjoyed a one-night U.S. debut Wednesday evening in cities across the country[1].

As several reviews noted ahead of time, Supersonic largely avoids anything from Knebworth onward, instead focusing its efforts on the Gallaghers’ childhood in a Manchester suburb, their shared musical ambitions and the eventual rise of Oasis while merely hinting at what falls outside of the film’s timeline. Despite this somewhat revisionist view – who among us in 2016 isn’t out to use filters to enhance away imperfections, real or perceived – the film is a compelling look at the most important, and self-important, British band of the mid-1990s.

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The 2016 Cleveland Cavaliers, as explained by GOOD Music’s “Champions”

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June 20, 2016
America, Basketball, Hip-Hip, Music, NBA, Politics, Pop Culture
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Last night, LeBron James willed the Cleveland Cavaliers to a Finals victory over a vastly superior team in the Golden State Warriors. It was an incredible feat, and it seems less believable the more I think about it. The Cavs have some real talent, but there are also some absolute clowns on that roster, and some of those clowns played minutes late in the fourth quarter of Game 7.

This led me to compare the team to Kanye West’s GOOD Music label, which just released an absurdly fun posse cut called “Champions” that might be just perfect for this moment because of the title and the fact that GOOD Music has plenty of clowns that play in crunch time, too. I think both rap music and basketball benefit from strong personalities. The individuals drive most of the conversation, at the least. That made this string of analogies fun to write, even if they are ridiculous and admittedly completely pointless.

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Though Life Would Still Go On

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May 16, 2016
America, Music, Politics, Pop, Pop Culture, Religion, Rock
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Michael Ochs Archives/Getty Images

There’s a moment at the very beginning of “Sloop John B,” the closing track of the first side of the album but the first recorded for it, right after the initial glockenspiel tone, that acts as a sort of timeout, as if to give the listener a chance to breathe before launching into another lament. Critics have sometimes met the song, adapted from a Bahamian folk standard, with confusion, wondering where the tale of a doomed ship and its crew fits in alongside the other tracks on the album.

The album, of course, is the Beach Boys’ Pet Sounds, which was released fifty years ago today, originally to mixed reviews which have since gone almost entirely and overwhelmingly positive. Beyond critical reception, Pet Sounds has enjoyed the luxury of indelible influence, assuring its permanent place in the musical version of the United States’ Great books for its lush instrumentation, unthinkably cohesive vocals and relatively simple, ageless lyrics of hope, heartbreak, loyalty and alienation.

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